Telling the Truth

connecting the dots of my life

Category: Haiku/Poetry

Yesterday and today

The beginning and the end
One day follows another

A hand reaches out
Eyes meet yet again

One true note after another
moves through time after time

A small bud bursts open
on trees swaying in the wind

The sun set in the west
and rose in the east
yesterday and today

Yesterday I accompanied D to a doctor’s appointment, and watched a procedure on his back. It wasn’t pretty or pain-free. It was, however, successful. We came home relieved and weary.

It got me thinking about times D has accompanied me in the last four years to appointments with a variety of doctors, including emergency room and surgical procedures. Some planned, some not planned.

I’ve always prided myself on being healthy. Looking back, however, I’d say I was fighting to hold it together as best I could, given the circumstances of my childhood, and my workplace. I didn’t expect retirement would surface so many health challenges.

Nonetheless, D was there for me. It felt wonderful to be there for him yesterday. A small way I could do for him what he has willingly and mostly gladly done for me, especially in the last several years.

This little poem came to mind while I was sitting at my kitchen window this morning. The minute it was on paper I knew it was for D. And for you, my friends and visitors who have your own lives, dreams, sorrows and joys.

Take care of someone you love today–or your pet. And don’t forget to take care of yourself.

Elouise

© Elouise Renich Fraser, 28 February 2019
Photo found at clicknmoms.com

giddy about the sun

I’m giddy about the sun
This strange and brilliant visitor
From another planet

Sitting at the kitchen table
My mind races through the house
Flinging windows and shades open

Shouts of happy recognition
Rise in gratitude for this visitor
Inviting me outside to play

I know warm weather will come—likely bringing unwelcome ultra-warm weather. But so what? Today I want to feel the warmth of the sun on my face, and witness the first bits of spring breaking through slushy mud and still-frozen ground.

This morning’s mail brought a new volume of Mary Oliver’s poems. D is making a multi-bean soup in the slow cooker. Smudge is asleep on our bed, comforted by my pajamas. What more could I ask for?

© Elouise Renich Fraser, 26 February 2019
Photo found at kinooze.com

One inch short of war

Howling winds
Rattle doors and windows

Random bursts
Of unseemly fury
Hurled through air
Turn lashing trees
To toppled dreams
Caught off guard
By one lone ranger
Unleashing havoc
One inch short of war

Pointing out the faults of others, especially those of POTUS, is dangerous business. Some say we should cut him a break. After all, doesn’t our own uncontrolled behavior make us as guilty as the next party?

Perhaps it does. Nonetheless, national leaders are held to higher standards because of the number of people who depend daily on their decisions and actions. Especially, but not only in situations of national emergency. A wall on our southern border is not cause to declare a national emergency. Hurricane Maria was. A test of our readiness to do the right thing. Together.

So yes, POTUS is rightly held to higher standards. And yes, my ability to see fault-lines in POTUS likely means I’m all too familiar with this set of behaviors. In myself and in others.

It brings to mind my history with self-confident men and women who believed themselves ordained by God to keep me in line. In my place. Voiceless and without power. One inch short of being used and abused in a subterranean war fueled by abuse of power.

© Elouise Renich Fraser, 25 February 2019
Photo of Hurricane Maria damage in San Juan, Puerto Rico; found at nbcnews.com

Off-balance

Turned tables
Throw me off-balance
Disrupt my rhythm

Stumbling along
Through gray haze
The sun strains to shine

Overcast Winter
Sifts through misty air
Chilled to the bone
Searching for rhyme
If not reason

What would we do
Without daily routines
Holding us together
Like friendly glue
Warm to the touch
Made sweet with
Familiar music
And the sound of our cat
Purring across our laps

© Elouise Renich Fraser, 23 February 2019
“Foggy Mood” oil on canvas painted by Bekir Smolski, found at art.mine.com

A very good day

This morning’s leftovers
Drop like melting slushies
From weary evergreen bows

Lumpy mounds of snow
Coat driveways and porches
With cold mushy porridge

Like a weary movie score
The sound of water draining
Through gutters drones on and on

A waking dream haunts me
With images of three friends
Just beyond my grasp

I reach for my airplane ticket
Only to discover
I left it in my guest room

My heart is made happy
By half a cold banana
Now somewhere in my gut

This will be a very good day indeed.

It doesn’t take much to make me happy these days. I think it’s about being alive, awake, functioning fairly well, and wondering what this day will bring. I took the photo at the top early this morning.

The cushion cover on the left was made by women refugees living in Nairobi. The cushion behind Smudge was made by a dear friend now gone from this life for many years. The round brown cushions are from D’s aunt who died several years ago. The cord peeking out on the left belongs to my blood pressure monitor.

As you can see, Smudge has taken over my reading sofa and cushions.  But that’s OK, since I still live in the Plaza! Thanks to D for sending this cartoon to remind me how privileged and Eloise-like he seems to think I am. The nerve…..

In case you can’t make out what Eloise is saying:

I am Eloise
I am forty-six
I still live at the Plaza
I don’t give a damn who owns it

I hope your day is filled with strange and unusual sightings that tickle your fancy and/or make you warmly nostalgic.

© Elouise Renich Fraser, 21 February 2019
Photo of Smudge taken by ERF, 21 February 2019; old New Yorker cartoon compliments of DAFraser

The coming storm

Silent as snow
Trees stand motionless
At attention
Scarcely breathing
Gray chill air
Of the coming storm

These days it’s difficult to read or listen to the news without descending one step deeper into the eye of a coming storm.

Nature’s weather events regularly point to the chaos and destruction of large, uncontrollable storms. Especially those that enter lashing out in one direction, and exit lashing out in another direction.

As it happens, today we’re in the leading edge of a large weather event coming at us from the south and west. The signs are all there, just outside my kitchen window and on countless weather updates .

So what’s it all about?

I can’t help thinking about  our nation. Especially the rapid deterioration of discipline, trust and good will we witness daily, beginning at the top and flowing out and down. As a young nation among older nations, we don’t seem ready to weather future storms that grow larger and more inevitable each day.

When I looked out my kitchen window this morning, I saw the trees. They were standing at attention, calm, silent, waiting to see what this storm will bring. For some it may spell disaster. For others, it will blow over and life will go on as usual.

Right now snow plows are going up and down the road outside our house. The snow is beautiful and heavy with moisture. Sleet and freezing rain will come later.

In the end, what I saw outside my kitchen window challenged me to be what I’ve often longed to be — a poem lovely as a tree. Vulnerable, strong, graceful, able to weather storms, and willing to die. No matter what happens next for me or our nation, and no matter who happens to be in the White House.

© Elouise Renich Fraser, 20 February 2019
Photo found at elizabethatkinson.com

Photos and a Poem | Longwood Gardens 2019

After we visited the orchid show, D and I headed over to see what was going on in the meadow. Not much, if you were looking for lush signs of spring. Nonetheless, what I saw inspired a poem. D took the photo from the wooden bridge over the meadow pond.

Floating on the pond
Webs crack through ice
Awake to Spring knocking
On soggy doors

Beneath the surface
Frozen life hibernates
Motionless and chilled –
Fragile beauty
Waiting for release
From Winter’s icy grip

And now this photo — a closeup of something lying on the ice in the photo above. A graceful, beautiful remnant of Fall. This time fragile beauty frozen to the surface, waiting for release.

So…what about that meadow? Though it was open to hikers, there were precious few actually on the trails. The happiest hikers we saw were in motorized wheelchairs! No muddy boots, no slipping and sliding.

This budding tulip tree next to the meadow seems to think spring is just around the corner –

After a look at the slippery, muddy meadow paths, we decided to stay on the paved perimeter and walk over to the pond. I’ve never seen it so full, or so covered with ice.

Still, it was beautiful, peaceful and alive with signs of life, even though nothing was moving below the surface. I love the reflection of tree trunks and limbs in the first photo below. The second photo documents our only live bird sighting on the ground around the pond and meadow. One lonely robin.

This last set of photos is from our walk back to the visitor’s center. I chose several with flashes of color, beauty, or quirky interest.

Shadows and hints of things to come. Even the icy pond shows promise. I can’t wait to go back when Spring has officially arrived.

Thanks for visiting!

Elouise

© Elouise Renich Fraser, 19 February 2019
Photos taken by DAFraser, 5 February 2019

On listening to my father

My father’s shame, like mine, went back to his childhood. He endured family hardships as one child of many. These included things like carrying lard sandwiches to school and being ashamed to let classmates see him eating them; wearing winter ‘shoes’ made from pieces of old rubber and ropes; and living in fear of being shamed and beaten by his father.

Childhood shame became envy. One opportunity after another slipped through his fingers. He was a proud man, filled with deep-seated resentments. Then there were dreams he couldn’t give up even though they weren’t going to happen. On top of this, the older I became, the more difficult it was for him to celebrate my accomplishments.

In this slightly revised poem I’m inviting him to join me. I first wrote it about a poor woman in a portrait. I recognized myself in her. I know what it’s like to live with shame that feeds envy. I can’t change what happened between my father and me; I can, however, change the way my heart sees him today. I can also listen to him now in ways he couldn’t listen to me. Perhaps I might even weep with him.

Suffering from Obsessive Envy

I know this proud man
The look in his eyes
The slightly raised brow
The unsmiling mouth.

Heavy with envy,
His eyes keep sharp watch
Marking my own good fortune
As were it his loss.

Am I not entitled?
Do I not slave harder?
How dare she be happy
At my poor expense.

Dear father, I know you.
You cower in my heart;
Your anger, your silence,
Your pride, your fierce want.

Look at me if you dare
Look me straight in the eye
Describe your resentments,
The dreams you saw die.

Weep long if you must
For the life you have led;
Sit here on this bench
Let me wipe your tears dry.

© Elouise Renich Fraser, 17 February 2019

For tongue-tied women of a certain age

Oh, Honey!
How polite we’ve been
All these years
Voices tripping lightly
Over rotten eggshells
And around huge cow pies
Plopped in our paths
Unceremoniously
By fawning faces
And genteel souls
Killing us softly with
Promises and thinly veiled
Threats cold and dagger-sharp

These words came springing to mind yesterday afternoon. Here we are in the 21st century, deep into the age of Trump, and I’ve been taught to be polite. To defer to those in authority over me, and keep my mouth shut.

Not that I’ve always been a good white girl. Still, on the scale of niceness I’ve probably been about 9 out of 10 on the side of the angels. Especially when dealing with men intent on keeping me in my place (wherever that is), or promising me heaven on earth.

Strangely, my father comes to mind, right up there with my worst boss ever and other men who tried over the years to shame or sweet-talk me into compliance with their wishes.

Today I’m wondering what I have yet to say to my father. Not to scorn or shame him, but to turn the tables and own the power of my voice. Along with the power of truth and good will. Not just for his sake, but for mine.

© Elouise Renich Fraser, 16 February 2019

Little Girl Speakings | Maya Angelou

Here’s a poem for children. A taunt song of sorts, best heard when recited out loud, with appropriate emphasis on key words. Perhaps you’ve sung songs like this to yourself many times. My comments follow.

Little Girl Speakings

Ain’t nobody better’n my Daddy,
you keep yo’ quauter,
I ain’t yo’ daughter.
Ain’t nobody better’n my Daddy.

Ain’t nothing prettier’n my dollie,
heard what I said
don’t pat her head,
Ain’t nothing prettier’n my dollie.

No lady cookinger than my Mommy,
smell that pie,
see I don’t lie,
No lady cookinger than my Mommy.

Maya Angelou, in Poetry for Young People: Maya Angelou
Published by Sterling Children’s Books, New York, 2013

quauter–quarter
cookinger–better as a cook

All my childhood I waged a double war. One war was with my father, at home. There I was his ‘problem,’ and he was the man sent by God to correct the problem. Maya Angelou’s poem wouldn’t have worked for this home-grown war.

The second war, however, was with childhood acquaintances and classmates who seemed to think male clergymen were sissies, or at least not ‘real men.’ Unless, of course, they were senior pastors in one of the big churches in the city. In their eyes, my father wasn’t one of the ‘real men.’ I know this because I watched their faces as I tried to explain my father’s situation.

Maya Angelou’s poem can be read as an in-your-face response to people who believe their privileged families and circumstances are better than her own. Note the repeated words ‘nobody,’ ‘nothing,’ and ‘no lady.’ She leaves no room for doubt. She has the best deal in town. They do not.

I can also imagine Angelou writing this poem for young girls surrounded by a better-than-thou, unforgiving world. Her poem is a gift of empirical, emotional truth. It’s for all young girls learning to take care of themselves and their voices, especially when the world wants to ignore and belittle them and their circumstances.

In either case, the hero in this poem isn’t Daddy, Mommy, or even ‘my dollie.’ It’s the young girl who dares to sing this song over and over, no matter the circumstances. Think of it as voice training for the 21st century.

© Elouise Renich Fraser, 15 February 2019
Photo of young Maya Angelou found at atlantablackstar.com