Telling the Truth

connecting the dots of my life

Category: Writing

warming to the sun

I

warming to the sun
thick snow relaxes
its grip on winter

II

listening to silence
broken by heartbeats
I hear God calling

III

when least expected
the tired old dam bursts
sweeping me away

What is this strange season? Just when I think I’ve got it, I have nothing. Nothing but unformed words that want to be written.

No great prospects for anything in print. Nothing but words that point in a direction I know rings true, but cannot capture.

Elusive as air, what I want to say comes and goes through my heart. Scattered clouds of connections and insights of a semi-experienced warrior feeling her way along.

I trust my heart and my fingers to find my way in this uncharted wilderness. Breathing deeply, I relax my mind and body’s fierce grip on wornout habits of self-preservation.

©Elouise Renich Fraser, 12 March 2018
Image found at walldevil.com

Misfit and Misbehaving

It’s the early 1950s. I’m about 11 years old. I’ve just taken my assigned seat in my 6th grade classroom at a private church school. I look around the room and it hits me in the eyes.

All but three girls are wearing matching white skirts with a bold flower pattern around the hem of each skirt. The flower pattern is in five rainbow colors with not one, but two skirts in each color. My two best girlfriends are wearing blue flowered skirts.

Our teacher, clearly caught off guard, says there must have been a fire sale on this particular pattern. The skirts are homemade. Obviously this was a planned event.

I’m mortified. Why didn’t I know about this? My mother is one of the best seamstresses around, and could have whipped one up for me. I try to make it OK in my mind. Especially since only three girls in the class aren’t wearing the uniform. The other two are the least popular girls in the class. Surely there was a mistake.

My two best girlfriends try to make it OK. I wasn’t left out because they didn’t like me. It was because the club had decided there could only be pairs, and I was the odd girl out. Besides, I was at least a year younger than they.

Which wasn’t the full story. Along with the other two misfits, I was a scholarship student. My parents couldn’t afford to pay tuition. It didn’t matter that I was bright, intelligent, interesting, faithful, truthful or any of that.

Things got worse during recess. The club had designated certain parts of the public park (a lovely downtown square in Savannah, Georgia) as their special places. They had rules about who could play with whom during the first part of recess, and where they would meet for regular club meetings during recess.

The following day was a ‘regular’ day which meant the club didn’t wear skirt uniforms to class. My friends talked the club into letting me join as a substitute club member. I would have to have a blue-flowered skirt. However, I could take part in activities in the park only if one of my two friends was absent that day. And I would have to vote the way my friend would have voted. That way the voting wouldn’t be off-balance.

Long story short: My mother agreed to make a skirt, but couldn’t find the same flower pattern. I wore my painfully obvious substitute skirt once or twice before the club disbanded.

In the end, this episode wasn’t about how smart, friendly or truthful I was. It was about white money and white family history. Which is to say the white Protestant pecking order and the subservient pedigree of white hens.

What I now understand:

  • It’s important to divide white women from each other as early as possible.
  • This will serve the goals of white male supremacy.
  • The tactics of divide and conquer are cheap, easy and effective in almost any setting.

Tomorrow is the beginning of Women’s History Month. I wonder how willing I am to refuse being divided in order to change history?

© Elouise Renich Fraser, 28 February 2018
1950s young teen fashion images found at pinterest.com

Don’t call me Sweetie

This morning I’m feeling backlash. Not from out there, but from inside. A reminder that I’ve moved into a new chapter of my life. It’s time to state yet again, for myself, who I am and who I am not.

Here’s my older version, written in response to my father’s insistence that I was less than this:

I am a mature, responsible adult woman.

Here’s my updated version, written last night. Longer, and in your face because that’s where I am right now. Strong, not all sweet and charming.

I am a mature, responsible, intelligent,
wise and sensitive adult woman of a certain age.
My name is Warrior or Elouise —
not Sweetie, not Cutie, not Little Old Anything,
not Over the Hill and
not Out of Order.

Finally, here’s my well-loved, frequently used mantra that’s good for all seasons:

I am God’s beloved daughter-child.

You can mess with me, but don’t be surprised if I mess right back at you. Not that I’m an expert on everything. I’m not. I am, however, a Fast Learner with nothing but time to lose. This is, after all, the Last Chapter of my life, and time is running out.

I’ve watched this past year as young women and young men of all colors and ethnicities have stepped up and spoken out on behalf of justice, mercy and sanity.

My generation cut its teeth on issues such as feminism, segregation and Viet Nam. Today’s young adults are dealing with their own laundry list of horrors, some passed on by my generation. For example,

  • random acts of violence against people of color, immigrants and targeted religious believers
  • mass murders in schools, towns and cities across the USA
  • the breakdown in local and national legislatures over how to protect the most vulnerable among us
  • sexual abuse run rampant for generations regardless of ethnic, national, economic or leadership status
  • bathroom wars and fears about who can use which facilities, especially but not only in schools
  • the power, abuses and addictive lure of social media and pain killers
  • steady rise in suicides among young people

I want to do what I can to support these young adults. And perhaps learn a thing or two. How? I don’t know. That’s part of the fun. I’m just going to keep writing and listening. And see what happens next.

© Elouise Renich Fraser, 24 February 2018
Photo found at startribune.com, Baltimore

hanging out

morning sun
hangs out behind a curtain
of glowing fog

Yesterday was glorious. Foggy and gray at first, before turning into a bright sunshiny day that included tea with a friend in the afternoon.

Hanging out doesn’t come naturally to me. From very early, my parents programmed me to keep my little hands busy because the devil might find work for idle hands to do. In addition, my later commitment to running away on the inside discouraged me from doing ‘nothing.’ The enemy was always just one step or one breath behind me.

So race on I did. One step after the other. With time out only when forced to take it.

The year after I left the dean’s office I had a full year sabbatical. Glorious! I decided early that I wanted to write more. So I began working through Julia Cameron’s book, The Artist’s Way: A Spiritual Path to Higher Creativity. Fortunately, most of her assignments required that I write.

Unfortunately, one did not. It stuck its ugly neck up at the end of the first chapter, in a list of tasks to accomplish.

Task #1 was to write morning pages first thing every morning. Stream-of-consciousness. No problem. I was like a duck playing in water. Next came

Task #2.
Take yourself on an artist date.
You will do this every week for the duration of the course.

Fortunately, Cameron lists several sample ‘dates’ for the socially challenged who prefer to stay in our little dens. All these ‘dates’ will be fun, silly or even outrageous. If we had to learn how to do this, so be it! I felt awkward and more than silly at first. But then I got into it—for a while.

Big sigh. So yesterday morning I decided to resume weekly artist dates with myself. I inaugurated this by spending the entire day with no agenda except fun things I wanted to do strictly for myself. Which included tea in the afternoon with my friend.

The day was beyond wonderful. I know the sun won’t come out every day. Yet the freedom my body and spirit felt was remarkable.

Finally, for those out there who don’t quite see what the problem is, I’m positive you’ll read this and feel nothing but good-will for the rest of us. If not more understanding or empathy. For which we are grateful.

Elouise

© Elouise Renich Fraser, 21 February 2018
Image found at trekearth.com – a park in Poland

Am I ready?

Hesitating
My fingers languish
On the keys

Life
Flashes before me
Inviting my company

My heart
Skips a beat
Am I ready?

Dear Friends,

This past week was wonderful. Going through old files and notebooks told me more about my past than I’d remembered. And I didn’t get through everything yet.

Thankfully, my home office is about half transformed! I focused on files and piles, not books and drawers. Breaking my jaw nearly two years ago brought ‘normal’ life to a sudden halt. And the piles began getting larger and larger….

Hidden in all the files and piles, I found several gems. Things I hadn’t read for years. I even read one piece out loud to myself. It was the Sunday morning ‘sermon’ I gave at our last Renich family reunion in 2012. I wrote it so young children in the room would know exactly what I was talking about.

That was the first time I’d ever talked to my extended family about my troubled relationship with my parents. The room was full of family members from at least four generations. I was a trembling wreck after I finished and sat down. I hadn’t yet begun blogging. I just knew I it was time to do this.

Now I’m at another milestone—still blogging, and with the end of my life approaching more visibly than before. ‘The last chapter’ sounds ominous. However, I see an opportunity to write about things I’ve not written about before. Some new, some old. None of it easy.

During the past week I wrote a haiku on most days. I don’t plan to stop that discipline, or writing poetry. I want to let my heart speak to other hearts. I believe that’s what drove Jesus of Nazareth, though some of his words were difficult to hear.

What I practiced giving up for Lent last year is still relevant. This year I’m thinking about it in terms of my writing voice and my desire to let my heart speak to other hearts. I’m using the same litany as my guide:

I let go my desire for security and survival.
I let go my desire for esteem and affection.
I let go my desire for power and control.
I let go my desire to change the situation.

Quoted by Cynthia Bourgeault in Centering Prayer and Inner Awakening, p. 147 (Cowley Publications 2004)

As always, thanks for listening.
Elouise

© Elouise Renich Fraser, 19 February 2018
Image found at twing.com – Living Words

Taking a break to dream

Dear Friends,

I need a break. Not from you, but to listen to my heart and body. I’m serious about being in the last chapter of my life, and want my writing to reflect this without being morose, and without chasing after things that don’t matter that much on any given day.

For several years I’ve wanted to reorganize my home office to make it user-friendly for me as a writer. Today it still reflects my past as an academic and volunteer against human trafficking. Too much stuff hanging around!

So this week, with D’s good help, I’ll get going on that. Most of all, I want to dream about where I’m headed with my writing in the next months and years.

Here’s the bottom line:
I’m not closing down my blog
However, I won’t post anything for at least this coming week

In the meantime I pray that Lent, which begins on Valentine’s Day, will draw us closer to ourselves, to each other and to our amazing Creator who still chooses to walk with and among us daily. Incognito.

Thanks for being here, and for your encouragement.
Elouise

© Elouise Renich Fraser, 10 February 2018
Image found at barbarabenedettelli.it

Living and Loving the Last Chapter

No more unlived history for me. I’m in the last chapter of my life. Which means my last opportunity to live a full life instead of the half-life I’ve often pursued as a good girl/woman.

First, in honor of my mother, I owe myself at least two changes:

  • I must fall in love with myself. For better and for worse; in sickness and in health; for as long as my life shall last; honoring and respecting myself; cherishing my body and honoring my spirit.

I think of it as marrying myself. Loving myself the way God loves me—just as I am. And the way D promised to love me—just as I am. If I can’t do this, my ability to love my neighbors as I love myself is greatly impaired if not dealt the kiss of death.

  • I must relentlessly pursue my dream of being a writer. Not past dreams, but my dream for right now. For this last chapter of my life.

All my adult l life I believed in my skills to help others attain their dreams. I did not believe in my ability to go for large dreams of my own. I was ‘too busy.’ Especially when it came to writing. I was busy giving in to fear, disbelief, and the call of tasks needing to be done.

My mother’s later years included several strange episodes during which she lashed out against my father with language I didn’t know she possessed. To my shock, he backed down. I’m hanging onto those few brilliant moments when I believe my mother put her own well-being and her own wishes first and communicated this in no uncertain terms.

I don’t foresee a fight like this with D. I do, however, foresee standoffs with myself for which I’ll need grit and guts.

Second, I must do for myself what I did for all those 15 boys and men I wanted to impress.

For years, beginning as early as 5th grade, I offered them a list of invaluable services. No cost and no contracts. Why? Because I desperately wanted to feel needed, alive, appreciated, attractive (at least not repulsive), and less lonely.

So what did that look like?

  • A listening ear, empathy and feedback
  • A sounding board for men’s ideas
  • Interest in their lives and their dreams
  • Affection and emotional support
  • Admiration and affirmation of their importance
  • New ideas—mine—free of charge!
  • Proofreading and editing skills
  • Feedback on how to improve their arguments, their writing, their sermons
  • Uncounted smiles and nods of agreement and understanding

In other words, like millions of other women, I gave away what I desperately needed for myself.

Ironically, even though these men affirmed me, I didn’t believe them. Not because they weren’t telling the truth, but because I didn’t believe that in the long-run, what I had to say or write really mattered that much.

Today I’m offering and making available to myself the same tangible and intangible services. Yes, I still have D. His love and loyalty are in place. The missing person in this picture isn’t D. It’s Elouise.

© Elouise Renich Fraser, 8 February 2018
Image found at njculibrary.wordpress.com

being at home

being at home
in her spacious small body
the caged bird sings

My life has felt unusually restricted this winter. It seems outrageous. Here I am, an adult woman with my working years behind me, and ‘nothing’ to do but record thoughts going through my mind.

I’ve almost finished my slow reading of Maya Angelou’s I Know Why the Caged Bird Sings. I’ve been on the lookout for times when the caged bird sings. Times when it seems there’s no way out. No way to reverse what’s happening. Until someone begins singing or writing or speaking, creating a different reality. Intangible yet real.

In addition, this morning I read the following lines from a favorite book on writing.

We can travel a long way and do many different things, but our deepest Happiness is not born from accumulating new experiences. It is born from letting go of whatever is unnecessary, and knowing ourselves to be always at home.

Sharon Salzburg, quoted in Gail Sher’s book, One Continuous Mistake: Four Noble Truths for Writers, p. 36, Penguin Group 1999

As Gail Sher puts it, “Home is where writing happens. The writer’s desk is a miniature world. Self-contained. Hopefully quiet. Anywhere else is somewhere else.”

It’s easy to write about somewhere else, or wish I were somewhere else. In someone else’s body or circumstances. I’m as prone to wandering as anyone. Besides, I think I’ve already had more than enough to say about myself.

Yet here I am today, feeling a tug to say more. In particular, more about my relationships with men. And saying it in a way that sets me free. The way Maya Angelou’s words about her life set her free.

Though my life might seem tame when compared with others, I used to think I would rather die than talk about my history with men. This past week I pulled out notes I made years ago that will help me do this. It’s important, because I believe my history with men was driven by things I was looking for. Not by something inherently wrong with me.

In the end, I want what sometimes has felt like a cage to be part of my home. The platform from which I sing.

© Elouise Renich Fraser, 20 January 2018
Image found at asfmtech.org

chilled to the bone

chilled to the bone
night’s deep silence descends
winter drifts through cracks

***

Disconnected from feelings
Numb and disbelieving
I want to write
So many unknowns
So much at stake
So little time left
Will I or Won’t I?
Sooner or Later?
Is Never still an option?

This week brought unwelcome news in a couple of areas. No catastrophic accidents. Just the knowledge of things I didn’t want to hear. About a friend and about my health.

Yesterday we drove through Valley Forge National Historic Park. Outdoor temperatures were subfreezing. Snow was on the ground, covering a thin layer of frozen sleet. We saw one brave soul walking his beautiful dog along one of the paths that circle and cut through Valley Forge. Everyone else was in heated four-wheel vehicles driving through the Park.

I didn’t write the haiku above after that drive. But it captures some of the angst and foreboding perhaps encoded in the few remaining buildings and cabins still standing here and there throughout the Park. Remnants of a winter nightmare followed by springtime diseases that took more lives than winter took.

They thought they would be going home to their families and friends.

foot paths meander
through fields of wartime sorrow —
home to the fallen

I want to find my way home. Don’t you? Life is filled with breathtaking beauty. The kind that makes leaving it breathtakingly painful. Right now I’m being invited to play life in a different key. And my cold fingers are stumbling around a bit, learning to be at home in what doesn’t always feel like home.

© Elouise Renich Fraser, 19 January 2018
Photo of cabins at Valley Forge found at history.org

Why writing feels dangerous

Last night I read about a woman who couldn’t get in touch with sensations in her body because she felt disconnected. Numb.

I relate to her. All my life I’ve experienced numbing out—sometimes on purpose; other times as the general go-to mode of my body. That means I feel out-of-place, lost, or just not interested in the vulnerability of connecting.

Years of neglect also hang out in my body. No wonder I get weary and can’t always stay awake emotionally. Perhaps some part of me has lost its memory or its ability to function with and for me.

And so I move on to something else instead of sitting with it. Or wondering about it, loving or even soothing it. Or welcoming it as a major part of the woman I’ve been and have become.

I’m a writer. I want to connect with what’s going on inside me, not just with thoughts running through my mind. I want to listen to myself, speak from within myself. Yet I’ve guarded so much for so long.

Can numbness lead to death? I don’t know. Perhaps I’m hiding from my voice. Sometimes I’m apprehensive about what I might discover or write and then let go. Even before I understand it fully.

From the moment I became a living human being, You’ve been there. Even when I was too terrified to be there. Too terrified to sit quietly with whatever was going on inside this woman I keep calling ‘me.’

Am I afraid right now? I want to believe You hold me close and won’t let me stray far from home. Yet I still think it’s my job to keep myself from straying. Maybe that’s why writing feels dangerous. My words are out there. I can’t control how they’re read or used or abused. Or heard and dissected.

A voice seems more fragile than a body. More connected to soul. More vulnerable to attack. Yet when I’ve done my best to be truthful, and have given it away so that the river moves on within and through me, I’m not sure what else I can do except build a dam.

I know about dams. I’ve constructed many in my lifetime. Little dams. Big dams. Complex, contorted, impenetrable dams. Trying desperately to escape the truth about me.

And what if the truth about me is beautiful? Lovely? What then? Have I killed it?

A small Christmas cactus blossom rests in front of me on my desk. A lovely, fading pinkish magenta. Its fragile petals look like limp gauze wings folded around its core. It isn’t ugly; it’s dying. Doing what lovely flowers do after giving themselves away.

It’s the only way to live. Not forever, but in this present moment. My calendar lies to me daily. It promises more than it or I can deliver. I want to live this one day as if there were no tomorrow. No more, and no less.

© Elouise Renich Fraser, 15 January 2018
Photo found at pxhere.com