Interpretation of Poetry | Telling the Truth

August 30, 2022

I like a look of Agony | Emily Dickinson

Here’s a poem from Emily Dickinson that speaks to our current national and international rhetoric. My comments follow, in free-verse form. I first posted this in May 2018, in response to our escalating hunger for exaggeration rather than truth.

I like a look of Agony,
Because I know it’s true –
Men do not sham Convulsion,
Nor simulate, a Throe –

The Eyes glaze once – and that is Death –
Impossible to feign
The Beads upon the Forehead
By homely Anguish strung.

c. 1861

Emily Dickinson Poems, Edited by Brenda Hillman
Shambhala Pocket Classics, Shambhala 1995

Emily doesn’t like false feelings or pretense. In this poem she sees in Death an example of true feelings. Not expressed in words, but literally, on the forehead of a dying person. No one can possibly play make-believe when it comes time to die. Convulsions and the intense agonies of death, whether physical, spiritual or emotional, can’t be faked.

Nor can those telltale ‘Beads upon the Forehead’ of the dying person. Even silent Anguish cries out with tears that leak through the skin. Beads of Anguish are strung upon the Brow. Thus, Death gives strange birth to The Truth of Agony and Anguish.

Below is my free-verse response to Emily’s poem. It seems ‘fake’ emotions parade before our eyes and ears each day. We live in an age that celebrates Faux or at least Exaggerated Feelings. Perhaps to such an extent that we no longer discern what is Manufactured from what is Real.

With apologies to Emily:

We live in an age of Faux Feelings
Or at least an age that rewards them
Not with congratulations, but with Attention
and Faux Gasps of Horror or Delight

Perhaps we’ve forgotten or never knew
How to have, much less allow airtime
For True Feelings not ratcheted up
To the nth degree — especially True Agony

The kind not found by looking in a mirror
Trying to get just the right look that will
land just the right response be it Attention,
Applause, Laughter or the Disgust of the Moment

Unsocial Commandments hamstring us
Pulling chains that avert our eyes instead of
Encouraging us toward each other in life and
In death as family and next of kin, not strangers

Life and Death itself seem to propel us toward
Ever-greater depths of make-believe and denial –
Hiding behind masks that mimic or minimize feelings
We most fear to acknowledge, sit with or name

Perhaps our Deaths are the only unscripted
Roles we play with unfiltered, uncosmeticized
Feelings of True Agony, Grief, Pain and Love,
Finally crossing all sides of divides that bind us

©Elouise Renich Fraser, 14 May 2018, lightly edited and reposted 30 August 2022
Photo found at blog.xuite.net

1 Comment

August 18, 2022

Will there really be a “Morning”?

This child-like poem from Emily Dickinson still speaks to me. Especially now, five years after I first published it. Imagine you’re a child again, wondering about what comes after this life. Or even what’s already here in this life–given Emily’s historical setting and your own. My response follows Emily’s poem.

Will there really be a “Morning”?
Is there such a thing as “Day”?
Could I see it from the mountains
If I were as tall as they?

Has it feet like Water lilies?
Has it feathers like a Bird?
Is it brought from famous countries
Of which I have never heard?

Oh some Scholar! Oh some Sailor!
Oh some Wise Man from the skies!
Please to tell a little Pilgrim
Where the place called “Morning” lies!

c. 1859

Emily Dickinson Poems, Edited by Brenda Hillman
Shambhala Pocket Classics, Shambhala 1995

Dear Emily,
I wonder what was on your mind when you wrote this. Maybe the War between the States? Family members who fought in it? Or how about the devastation left behind when so many cities and fertile fields were laid waste via fire?

Some people don’t think things here are that bad now; others don’t agree. I’d say we at least have something like it.

Then again, maybe you were thinking of less visible things. Perhaps a personal loss you couldn’t show the world. Or the piled up anguish of watching one family member after another decline in health and leave this world. Or your keen awareness that this world doesn’t always value what you value, or see things the way you do.

I think we have all of that right now, and more just keeps coming. I also think we’re getting tired of it.

Maybe you were lonely when you wrote this. So lonely that you would have been happy to leave this life behind. You might have been lonely for the birds and insects, trees and shrubs, water lilies and butterflies, sunrises and sunsets. All creatures great and small. Your outdoor cathedral and congregation where you felt safe, understood and appreciated. Without having to explain yourself over and over.

In your poem you call yourself a little Pilgrim. I like that. It’s a very kind and tender way to talk about yourself. Almost, but not quite putting yourself down because you don’t happen to be a scholar, sailor or wise man from the skies. I think you’re already a wise woman, a sailor of sometimes treacherous social seas, and a deep scholar of human life.

Now that you’re There, I wonder whether, as a Wise Woman from the skies, you might tell me where the place called “Morning” lies. Could you? Would you? It seems we have many lost souls here who are looking for that place. If not here, then where? Can you help us find it? Or at least send us a little poem about it?

Your pen pal, Elouise ♥

5 Comments

June 20, 2022

Love Sorrow | Mary Oliver

Facing old age and death is no picnic. However, the post below still helps me re-imagine my relationship to my own sorrow. She’s a small version of me and needs to be loved day and night. Thank you once again, Mary Oliver.

This poem from Mary Oliver struck a chord in me. Partly due to the current pandemic, with its waves of sorrow. But also because of my personal history. My comments follow.

Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,

what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so

utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment

by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,

as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.

© 2008 by Mary Oliver
Published by Beacon Press in Red Bird, a collection of poems
“Love Sorrow” is on p. 64

Dear Mary,

Your poem about loving sorrow brought back memories of my childhood and adult life. Especially things taken or withheld from me before I understood they were mine. Plus bits and pieces I lost or gave away throughout my life.

Sorrow, especially if it showed, was an indulgence I needed to give up. Or get over. What’s done is done. It won’t do to make my friends uneasy, or get into trouble with adults who wanted me to be someone else. I learned early to swallow or deny sorrow. Especially in public.

I think you would be horrified though not surprised at the world as it is today. We’re drowning in sorrow and anger, trying to figure out how this tsunami pandemic caught us so unprepared for death and dying, as well as living mindfully.

I don’t want to drown. I want to live and grow, especially now as time is running out.

Thank you for showing me how to befriend my sorrow. How to welcome her into my life, and learn to live with her as the child she is. And how to watch her begin to relax and grow into a strangely wonderful companion.

With gratitude and admiration,
Elouise

© Elouise Renich Fraser, 7 May 2020, reposted on 20 June 2022
Image found at 123rf.com

February 26, 2022

The world as God’s poem

Several years ago I posted “Emily Dickinson meets Mary Oliver.” A phrase from one of Mary Oliver’s poems had captured my imagination. As she puts it, we owe our dignity to being part of “the poem that God made, and called the world.”

With so much ‘undignified’ death flooding our news media, it’s difficult to hold onto Mary Oliver’s image. I don’t easily hear or see “the poem that God made, and called the world.” It’s easier to picture what’s happening today as a rising tide of undignified and wrongful deaths that should never have happened. Which may also be true.

Here’s my response, first posted in August 2017, and reposted below in light of today’s current events.

No mortal words of poetry will ever do justice to this world, God’s poem.

Nor do we understand ourselves
unless we give up all efforts to capture in our words
the reality of what God created and invited us to inhabit as caretakers.

We can look and point;
We cannot replicate.

Furthermore, no poetic words of ours
will ever improve upon God’s great poem.
Still, as humans we’re at our best when we reflect in our lives
the grandeur of creation.

Surely the summer sky, the deer,
and all parts of God’s creation are dignified
not because of what each does, understands,
or even writes in flowing poetry.

Rather, they and we owe our dignity to being part of
“the poem that God made, and called the world.”*

*Quotation from Mary Oliver’s poem,
“More Beautiful than the Honey Locust Tree
Are the Words of the Lord.” Published in Thirst, p. 31

~~~

Praying we’ll become open to seeing each human life and each creature great or small as part of God’s poem. Which, of course, includes each of us with all our flaws and our gifts.

Elouise♥

© Elouise Renich Fraser, 26 February 2022
Photo found at smartpress.com

February 18, 2022

The Uses of Sorrow | Mary Oliver

Have you ever dreamed a poem? Here’s one from Mary Oliver. Short and to the point. My comments follow.

The Uses of Sorrow
(In my sleep I dreamed this poem)

Someone I loved once gave me
a box full of darkness

It took me years to understand
that this, too, was a gift.

© 2006 by Mary Oliver
Poem found in Thirst, p. 52
Published by Beacon Press

I first read Mary’s dream poem several years ago, then hurried on to the next page. I didn’t want to think about it. How could a box full of darkness be a gift?

In German, “das Gift” means poison. In some ways this blog was my way of beginning to take ‘das Gift’ seriously. When I began blogging, I agonized over what to say and how to say it. What was in my “box full of darkness,” and who gave it to me? Or, better put, who passed it on to me so that it became My Problem?

Sorrow isn’t a throw-away event, or series of events. As Mary Oliver says in the title, sorrow has its uses.

Nonetheless, real life doesn’t usually invite us to see a box full of sorrow as a true gift. Instead, we’re supposed to play the game ‘their way’ because that’s what the box of darkness is about. Put another way: It perpetuates the angst and anger of generations, without recognizing or fighting today’s poison. Easier all round for everyone, right?

Wrong. Understanding ‘das Gift’ as a true gift to be explored was and still is dangerous. Beginning to investigate the past brings an avalanche of consternation, anger, tears, honesty and humility. It dares me to turn my so-called gift into light. The kind that illuminates truth and empowers me to be the woman I am.

At this age, I’m still finding ‘stuff’ not yet examined from the box of poison passed on to me as a child and young adult. However, when I’m willing to step back and take a deep breath, I’m also able to take one more step in the right direction. For better and for worse, being in my elderly years means I have lots of material to work with, whether I like it or not.

Thanks again for stopping by. I’m doing quite well most days. Especially when I follow my heart instead of my head or my forever-lists of things to ‘do.’

Cheers!
Elouise♥

© Elouise Renich Fraser, 18 February 2022
Image found at pinterest.com

4 Comments

July 28, 2021

The Sixth Recognition of the Lord | Mary Oliver

Every summer the lilies rise
and open their white hands until they almost
cover the black waters of the pond. And I give
thanks but it does not seem like adequate thanks,
it doesn’t seem
festive enough or constant enough, nor does the
name of the Lord or the words of thanksgiving come
into it often enough. Everywhere I go I am
treated like royalty, which I am not. I thirst and
am given water. My eyes thirst and I am give
the white lilies on the black water. My heart
sings but the apparatus of singing doesn’t convey
half what it feels and means. In spring there’s hope,
in fall the exquisite, necessary diminishing, in
winter I am as sleepy as any beast in its
leafy cave, but in summer there is
everywhere the luminous sprawl of gifts,
the hospitality of the Lord and my
inadequate answers as I row my beautiful, temporary body
through this water-lily world.

© 2006 by Mary Oliver
Published by Beacon Press in Thirst, p. 28

Dear Mary,

Your poem made me weep. I don’t know if you intended this, but your “Recognition of the Lord” is also a recognition of your “beautiful, temporary body.”

I long for a permanent body as beautiful as your water-lily world. Not the kind of beauty that gets attention, but the beauty that’s carried in our hearts and souls. No matter what’s happening to our aging bodies.

I never thought of myself as beautiful when I was growing up. Even now, the most I can usually admit is that I’m acceptable. My husband of many years has trouble convincing me that to him, I’m more than acceptable.

What challenges me when I think about the water lilies, roses, peonies, lilacs, and azaleas is that they never complain about the astonishing brevity of their beauty. Here today and gone tomorrow.

Do I want to be like they are? Sadly, no amount of makeup or other ways we try to fool nature will ever satisfy me. So this lovely Recognition of the Lord, the One who created us, is incredibly demanding. Yes, we have our time to flourish, and yes, we fade. Like flowers of the field and water lilies.

If this is meant to comfort me in my aging body, I still have work to do. Letting go isn’t my favorite pastime. Which, I’m guessing, wasn’t yours, either.

Thank you for prodding my heart and mind today, and sharing your lovely and beautiful voice with all of us.

Elouise

© Elouise Renich Fraser, 28 July 2021
Photo taken by DAFraser at Longwood Gardens, June 2019

4 Comments

July 1, 2021

Glory Falls | Maya Angelou

Here we are, near the eve of July 4. Though it’s a day to be proud of our nation, so much has gone so wrong. My comments follow Maya Angelou’s poem.

Glory falls around us
as we sob
a dirge of
desolation on the Cross
and hatred is the ballast of
the rock
which lies upon our necks
and underfoot.
We have woven
robes of silk
and clothed our nakedness
with tapestry.
From crawling on this
murky planet’s floor
we soar beyond the
birds and
through the clouds
and edge our way from hate
and blind despair and
bring honor
to our brothers, and to our sisters cheer.
We grow despite the
horror that we feed
upon our own
tomorrow.
We grow.

Maya Angelou, poet; found in Sterling’s Poetry for Young People series, page 47.
Published in 2013 by Sterling Children’s Books, New York, an imprint of Sterling Publishing Co., Inc.
Editorial material © 2007 by Edwin Graves Wilson; Illustrations © 2007 by Jerome Lagarrigue|

I’m reminded of John Stainer’s heart-rending chorus from The Crucifixion, with its invitation to pay attention to ‘the king of grief’ instead of simply passing by.

From the throne of his cross
the king of grief cries out to a world of unbelief,
‘Is it nothing to you, all you that pass by?’

It’s one thing to celebrate the insight, agony and beauty of Maya Angelou’s poem. It another to understand that most white people in the USA would prefer to walk on by and try to get on with their lives.

A few weeks ago a friend from seminary days recommended a new book. It’s helping me understand our current impasse here in the USA. It’s written by Drick Boyd, and is titled Disrupting Whiteness: Talking with White People about Racism.

The main point? It’s time for white people to start talking with each other about our individual and collective racism. What are our earliest memories about racism? What forms does racism take? When did we start assuming most white people are superior beings? How do we give up what feels ‘normal’ but is not? How can we support each other for the long haul?

As James Baldwin pointed out in The Fire Next Time (pp. 21-22):

White people in this country will have quite enough to do in learning how to accept and love themselves and each other, and when they have achieved this—which will not be tomorrow and may very well be never—the Negro problem will no longer exist, for it will no longer be needed.

Thanks for stopping by.

Elouise♥

9 Comments

Video | June 28, 2021

Storage | Mary Oliver

What about all the stuff we collect over the years? Mary Oliver knows. My comments follow.

When I moved from one house to another
there were many things I had no room
for. What does one do? I rented a storage
space. And filled it. Years passed.
Occasionally I went there and looked in,
but nothing happened, not a single
twinge of the heart.
As I grew older the things I cared
about grew fewer, but were more
important. So one day I undid the lock
and called the trash man. He took
everything.
I felt like the little donkey when
his burden is finally lifted. Things!
Burn them, burn them! Make a beautiful
fire! More room in your heart for love,
for the trees! For the birds who own
nothing—the reason they can fly.

Published 2020 by Penguin Books in Devotions: The Selected Poems of Mary Oliver (p. 7)
Copyright 2017 by NW Orchard LLC
First published in Felicity, 2015

I grew up in the 1940s and 50s. Back then (post-World War II) we were trained to make do with whatever was at hand. Throwing things away was not encouraged.

Almost anything could be repurposed, altered, or made to fit the need at hand. Glass bottles, aluminum tumblers that used to be filled with store-bought cottage cheese, lids for just about anything, hand-me-down clothes, kitchen utensils, and bits of old candle wax. Furthermore, if we didn’t need it, someone else probably did.

Here, however, Mary Oliver invites us to let go of stuff that takes up unnecessary space. Why? Because it makes room in our hearts for love, for the trees, and for the birds who own nothing.

Could it be that the stuff taking up space includes old attitudes and beliefs about ourselves and other human beings? These might also be lurking in boxes we’ve not examined or relinquished. Which leaves little if any room for the birds, for other human beings, or even for our own growth.

What would it take for us to soar and dance together in the sky?
Elouise♥

10 Comments

June 18, 2021

I’m ceded — I’ve stopped being Theirs | Emily Dickinson

harvest-moon-sept-2016

I’m drawn to this poem from Emily Dickinson for two reasons. First, I sometimes call myself Queen Elouise. Second, it captures the difference between belonging to Them and belonging to Grace. In my view, it describes what we need today in this world of stunning beauty, visible misery, and stunning injustice. My comments follow.

I’m ceded – I’ve stopped being Theirs –
The name They dropped upon my face
With water, in the country church
Is finished using, now,
And They can put it with my Dolls,
My childhood, and the string of spools,
I’ve finished threading – too –

Baptized, before, without the choice,
But this time, consciously, of Grace –
Unto supremest name –
Called to my Full – The Crescent dropped –
Existence’s whole Arc, filled up,
With one small Diadem.

My second Rank – too small the first –
Crowned – Crowing – on my Father’s breast –
A half unconscious Queen –
But this time – Adequate – Erect,
With Will to choose, or to reject,
And I choose, just a Crown –

c. 1862

Emily Dickinson Poems, Edited by Brenda Hillman
Shambhala Pocket Classics, Shambhala 1995

Emily’s poem reminds me of the biblical exhortation to put away childish things. Here, Emily is ready to put away her childhood name—the name They chose and dropped on her face at her infant baptism.

In fact, They can put that name (Princess?) in the attic trunk along with childhood toys and activities she no longer needs. Perhaps they served her well, but they have no place in her new, freely chosen baptism into the fullness of her personhood.

And so Emily announces her conscious Declaration of Independence. Her rebaptism is possible because of Grace, not because of someone else’s past decision for her, or their approval of her decision now. This choice is hers alone, made possible by Grace! Not forced, not from shame or blame, and not as a power move.

This independence won’t come without clarity of speech and action. Even more difficult, since it’s driven by Grace this means clarity driven by the Grace of truth, not by anger or a desire for revenge or retribution.

I respect you, and I am not your possession. I’m not interested in childish approaches to life. The name you gave me no longer fits. I don’t want or need your affirmation. I have a new, fuller Calling. I’m not the silver sliver of a Crescent moon. I’m a full-orbed Harvest Moon, signified by this ‘one small Diadem’ I now wear.

I’ve outgrown my childish identity. Back then I was at best a half conscious Queen. Today I’ve come of age. No more baby crown, and no more cute crowing or baby talk. I am Adequate and Erect. I don’t want or need the kingdom, fancy parades, or pandering obeisance. I’m content with a simple Crown and telling the truth in my own voice, as I see it.

Need I say Queen Elouise again? Now, more than ever, I long to be

…Adequate – Erect –
With Will to choose or to reject,
And I choose, just a Crown –

© Elouise Renich Fraser, 15 November 2016, lightly edited and reposted 18 June 2021
Photo of Harvest Moon by Robin Osbon found at almanac.com

7 Comments

May 22, 2021

How would you live then? | Mary Oliver

Mary Oliver puts us on the spot with whimsical questions we’ve likely never asked ourselves. My comments follow.

What if a hundred rose-breasted grosbeaks
flew in circles around your head? What if
the mockingbird came into the house with you and
became your advisor? What if
the bees filled your walls with honey and all
you needed to do was ask them and they would fill
the bowl? What if the brook slid downhill just
past your bedroom window so you could listen
to its slow prayers as you fell asleep? What if
the stars began to shout their names, or to run
this way and that way above the clouds? What if
you painted a picture of a tree, and the leaves
began to rustle, and a bird cheerfully sang
from its painted branches? What if you suddenly saw
that the silver of water was brighter than the silver
of money? What if you finally saw
that the sunflowers, turning toward the sun all day
and every day—who knows how, but they do it—were
more precious, more meaningful than gold?

Poem written by Mary Oliver, first published in Blue Iris (2004)
© 2017 by NW Orchard LLC
Published in 2020 by Penguin Books in Devotions: The Selected Poems of Mary Oliver, p. 167

Prisoners sometimes say what keeps them going is having a room with a view. A room with even a tiny window on a tiny plant or part of a tree branch. Like clock-work, these bits of nature became companions. They signal changing seasons, measure the speed of the wind, announce the time of day, or signal the coming darkness of night. All without a paycheck or a bonus for going the extra mile.

We humans seem glued to electronic devices, out of touch with the Garden our Creator handed over to us. Perhaps even out of touch with each other as precious women, children and men. “More precious, more meaningful than gold.”

I laugh when I read this poem. It’s full of whimsy. The kind that comes from close observation of nature and human nature, which Mary then turns into gold. Who wouldn’t like to see and experience Mary’s unexpected everyday wonders? Perhaps she’s inviting us to slow down and redirect our attention. Life is short.

Elouise♥

7 Comments

Tag: Interpretation of Poetry

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