There is a pain — so utter —
by Elouise
Emily Dickinson suggests there’s a pain that’s better left lying, almost forgotten. Else it would destroy the victim, one painful piece at a time. My comments follow her poem.
There is a pain – so utter –
It swallows substance up –
Then covers the Abyss with Trance –
So Memory can step
Around – across – upon it –
As one within a Swoon –
Goes safely – where an open eye –
Would drop Him – Bone by Bone.c. 1862
Emily Dickinson Poems, Edited by Brenda Hillman
Shambhala Pocket Classics, Shambhala 1995
Emily suggests that in spite of extreme pain, we get by thanks to Trance. Like a bandage, Trance covers the wound and the depth of our pain so that Memory can walk safely around or over it. Our eyes are spared the full extent of our pain.
Emily likely has her own pain in mind. In fact, this poem raises again the possibility that someone victimized her when she was a young woman. If so, perhaps her poem is one way of dealing with the horror of seeing (feeling, remembering, reliving) what happened to her. Bone by Bone. One terrifying moment after another. The slow-motion dismemberment of a human spirit, a human being.
Yet this pain is also generic. Not simply something that happened to Emily, but what happens to each of us and all of us. Individually and together. In a thousand permutations.
Perhaps we’re in a Swoon, awake just enough to navigate each day without being brought down by our pain, living in Trance mode. Semi-reality. Semi-truth. Which amounts to untruth, and thus unreality.
I think of the USA and our preference for letting pain lie deep underground while we make our way across and around it. As though it never happened or weren’t that important. Slavery has caused unrecorded, unheard pain to millions. Yet here we are in African American History Month, still unable as a nation, beginning with our leaders, to face this history face-on, with eyes wide open.
We find ways to get by without acknowledging the depth and horror of this and other examples of our national pain. Yet it’s right beneath our feet. Beneath the surface history of our current state of disunion. It seems we’re living in a national epidemic of Trance. We get by, or so we think, without acknowledging the depth and horror of our pain.
Emily seems to have personal pain in mind. Yet personal pain feeds on and adds to our collective pain. As a nation we like to think we’ve come a long way, and are now beyond the worst. Nonetheless, I see us living the sad and sorry outcomes of unexamined pain lying just beneath the surface of Trance.
© Elouise Renich Fraser, 8 February 2018
Image found at pinterest.com
Love Emily Dickinson. Great post 👍🏼
LikeLiked by 2 people
Thank you, Hannah! 😊
LikeLiked by 1 person
I like your analysis. Thanks for this.
LikeLiked by 1 person
You’re welcome 😊
LikeLiked by 1 person
A friend of a friend lives in Tennessee and says that the civil war had nothing to do with slavery. It was an economic war only. Is this a way of living in trance mode?
LikeLiked by 1 person
If slavery is reduced to an economic formula, yes. In fact you might say we’ve been living in trance mode ever since the first slaves were brought over. The fact that slaves weren’t considered full human beings further complicates our past. I see echoes of thissubhuman
LikeLiked by 1 person
Sorry…
I hear echoes of this subhuman text all over the place in our current attempt to rewrite who “we” are and are not.
LikeLike
I find it hard to understand why those with deep religious convictions are always in pain and seemingly melancholy fearing death.
I’m an atheist and am normally in a very happy frame of mind, rarely if ever melancholy and with death constantly with me now and having no fear..
Got me tossed as to why this is so.
LikeLike
Hi, Brian. Your comment is interesting. However, this poem isn’t about death. It’s about life, and the way we manage to get on with each day by ‘forgetting’ or ignoring the pain and trauma of yesterday. We find ways to live as though it never happened or really wasn’t that bad, even though it was probably worse than we thought it was back then.
LikeLiked by 1 person
It’s the pain and trauma that I just don’t get; every new day is exactly that a new beginning and as the oft stated /quoted saying goes it’s the first day……………………etc.
I’ve never felt pain or trauma and never felt daunted at the approach of a new day, more fun that way, smile and the world smiles with you cry and you cry alone, When I do cry, and I do which I also enjoy I’m usually alone and its about something nice. Rarely have I not got a smile or silly grin stuck on my face, some find it annoying at times. 😀
LikeLiked by 1 person
Hmmm. Someday, I’d like to hear more about your mother–about whom you’ve said a few things that suggested she wasn’t the most encouraging, positive force in your life.
As for silly grins, I’m not annoyed by them, and wish I had more of them! However, I’m not put off by sad or happy tears. All of it’s part of life. As is pain, whether it’s categorized as trauma or not. And whether the cause of the pain is still present and alive or not. That’s how I see it. Cheers, Brian!
LikeLike
My mother would not allow me to cry, “Men don’t cry” even when they’re happy???
LikeLiked by 1 person
Just watched BBC Storyville documentary One child nation, thought of Emily Dickinson poem. Maybe how in particular Chinese women survived this trauma, this after what the Japanese army did to them. My Cantonese mother in law a woman of generous spirit could only turn away in silence at the sight of japanese tourists.
LikeLiked by 1 person
Thank you, Tony, for this comment. Especially about your family connection. I think those who’ve been aggrieved often can only turn away in silence. Which, in many ways, is a courageous move. I also wonder whether there’s a tradition that can help these women heal from the inside out. Or maybe it’s just too painful.
LikeLike
I do like poems of Emily Dickinson. Did you know the sad thing about these poems is the fact that only a few poems as the very first publications by Emily herself are original. All other poems are corrected, according to her sisters point of view.
LikeLiked by 1 person
Yes, I did know this. I find it sad, indeed. Fortunately, most of my Emily Dickinson posts are based on the Shambhala Pocket Classic publication. The editor, Brenda Hillman, went back to find and use the most accurate texts. I find her versions much more believable than the ‘corrected’ versions!
LikeLiked by 1 person
Your interpretation of this poem really hits home. How can we truly live or live truthfully, if we are walking around as if in a trance, blind to the suffering we experienced and the suffering we now unknowingly cause. Our nation was created from trampling the rights of those who were living here before us as well as the slaves who were forced from their homes and families. And you are right, we have not brought the injustices fully to awareness or to a sense of national atonement and reparation. The veneer of our country as ” a force for good” is slipping, though, as any mask will over time. What our country needs is some serious self reflection, and to allow a process of grief that our dreams of promise and possibility were not realized without peril, and to many at extreme cost.
LikeLiked by 1 person
Thanks for your comment, Beth. I wonder what it will take to acknowledge the truth about our painfully interconnected pasts. I don’t see us moving in that direction as a nation. Instead, we seem addicted to a story-line that doesn’t pass the truth test. Not here at ‘home’ or with our neighbors near and far.
Elouise
LikeLike
Love your interpretation. I feel it’s so important we face our personal pain to help heal global pain too x
LikeLiked by 1 person
Thank you, Rae, for your comment about global pain. I couldn’t agree more.
LikeLike