Three Days, Three Quotes Challenge | Day 2
Say but little
and
say it well
I’m walking along the sidewalk outside the still-new Scottish Parliament building in Edinburgh. Read the rest of this entry »
Say but little
and
say it well
I’m walking along the sidewalk outside the still-new Scottish Parliament building in Edinburgh. Read the rest of this entry »
sunburst of glory
explodes in gleaming splendor
wrought from war’s horror
* * *
I’m standing in The Great Hall at Edinburgh Castle, surrounded by historic weapons of war. Read the rest of this entry »
The photo above was taken in Edinburgh, directly behind the Sir Walter Scott Monument. We’re looking down into the East Princes Street Gardens. Notice the benches. They line the sidewalk from one end to the other. Each has a plaque Read the rest of this entry »
Part of a bronze frieze by Alice and Morris Meredith Williams
I wrote the words below when we visited the Scottish National War Memorial at Edinburgh Castle. It honors all Scots who fell in World War I. No photos were allowed inside the building. Read the rest of this entry »
Scottish Traditional Vegetarian Breakfast, Priestville Guest House
I can’t get The Reclamation Project out of my mind. In fact, just reviewing it this morning reminded me of what happened in my gut while D and I were in Scotland.
I have challenges when it comes to food Read the rest of this entry »
The Writers’ Museum, Edinburgh
Well…I’d hoped to get a new post together for today. But alas, my body and mind (full of cotton) just couldn’t get it together. Jet lag has done me in–as usual. Not to worry. Read the rest of this entry »
Several things stand out in my dream:
Assumptions I’ve made:
Two questions came to mind right after I woke up:
Here’s how I’m thinking about the dream today.
I’m one of Jesus’ reclamation projects. I also have countless others to thank for helping pick me up from various trash heaps.
Some trash heaps were designed specifically for women. Sometimes I seem to have chosen a trash heap on my own. I say it that way because part of being reclaimed means understanding the dynamics of coercion, seduction and being set up for failure. Nonetheless, I’ve been reclaimed many times over.
In fact, it’s reassuring that this team is going to look for discards (people). I’m happy others are out there looking. Maybe they’ll find me again someday.
My father was a great improviser. Not of music, but of solutions to things that didn’t work properly (machines, not people). He kept a shed and back yard full of what some people would call ‘junk.’ The kinds of things Depression-era women and men valued for their as yet unknown future use.
So here I am, a reclaimed woman, musician and now a blogger who happens to be a theologian. What do I offer women and men who visit and read what I write? And where does my ‘junk’ come from?
I offer the mostly improvised music of my heart, mind and soul. I use memories, bits and pieces of knowledge I’ve collected, old photos, new photos, and other people’s writings that move me. I also use my experience, including what happened and happens to me on the inside. Things like secrets and less-than-beautiful behaviors.
I can’t do this alone. I need others who show me how they do it, or who ask me tough questions. I need to hear them play their music. It doesn’t matter whether it’s overtly theological or not. If it moves me, it rings true. It brings joy, tears, thoughtfulness, challenge, clarity of sight, grief and sadness, or the knowledge that I’m alive and not alone.
As a blogger, my reclamation project is about recovering parts of my life that got trashed along the way, internally and externally. It’s also about being alert for pieces of your lives that inspire me to write yet more unscripted posts that reclaim some of my personal ‘junk.’
Whether it comes from you or from me, it’s music. It doesn’t banish the pain of life, or focus only on what’s beautiful to divert attention from what’s real. Rather, it’s music that accompanies all of life, inviting both sadness and joy to be heard, heeded and shared.
My father’s unexpected improvisation on his guitar is a sign. It shows what can happen when other music, especially from strangers, inspires me to improvise songs I didn’t know I’d lost along the way.
© Elouise Renich Fraser, 26 August 2015
Image from 123RF.com
This morning I had a dream just before waking. The kind I can’t forget. Here it is, with nothing omitted. I have some ideas about it, but first, here’s the dream.
It’s early in the morning. The sun is just beginning to rise. I’m walking up a street on a slight hill. I notice about a dozen vans parked on the street and in an outdoor parking lot. They’re all black, with simple white logos. Each logo is slightly different from the others, and is accompanied by a team name. I’ve been given a task to carry out with one of the teams. I hadn’t realized there were other teams.
I approach my destination, walking toward the building where I’m to meet the team. I hear music playing. It sounds like a jam session. The building is open-air style on the ground floor next to the street, so I can see what’s happening inside. A team of women and men are playing music together. Each seems to be playing a different instrument. I don’t see a formal conductor. Some team members are arriving at the same time I’m getting there.
The room they’re in is next to another building, also open so I can see who’s in it. Right there, up against the wall adjoining the musicians’ building, I see my father. He’s leaning against the wall, sitting, and playing a guitar. In fact, he’s playing along with the other musicians. I never knew he played a guitar! The other musicians can hear him but they can’t see him. He’s much older than they are, and doesn’t see me.
I wonder whether my father knows what he’s doing. He’s not part of the team still gathering next door. Fortunately, he’s picking the guitar softly, trying to connect with the music coming from the next space over. I hear the music coming close to ending. As it does, I already know somehow that the guitar will be the last instrument heard.
So far the music has been similar to jazz improvisation. My father doesn’t know much about jazz. So I’m surprised that as the performance winds down, his guitar playing becomes crystal clear and creative. I can scarcely believe my ears. It’s beautiful. My father never looks up to see me, and I don’t stop to say anything. It’s as though he’s in a different world.
I’m here to meet this team of recently employed workers. I didn’t know they were musicians. That’s not the job they were hired to do. I tell them how beautiful their music is and how much I enjoyed hearing it as I walked up the hill. I can tell they already work well together.
Just then one of my sisters joins the group. I’m surprised and happy to see her. I’m not sure which sister it is. At first I think it’s Sister #2. Then I take another look and think it might be Sister #4.
I explain that I’m here to take the team through the last phase of their orientation. They have one last task before they go out to do their work. Each of them is to write a brief personal statement about how and why you do this work, connecting it with something significant that guides the way you actually do the work.
I already know the nature of their work. They’ll be going through the neighborhood collecting things that have been thrown away. Each of them needs to tell me how and why they do this. For example, they might say, “I work in this way (describe it) because it connects with the way Jesus worked.” I have in mind a reclamation project.
I wake up happy, wondering what this dream is saying about me.
To be continued. . . .
© Elouise Renich Fraser, 25 August 2015
Image from chickhughes.com