Telling the Truth

connecting the dots of my life

Tag: the human condition

Alternative tv | Dorothee Soelle

Four miners in mine shaft wearing hard hats and headlamps

Dorothee Soelle wrote this poem in the 1970s, an era roiled by the Vietnamese War. I was in my 30s. How old were you? My comments follow.

Alternative tv

The old man on the screen sang
in a loud and shaky voice
and had probably never been very clean
in addition he had hardly any teeth left
a miner with black lung
of course he spoke dialect and his grammar was bad
why after all should he
show his best side to the camera

When god turns on his tv
he sees old people like that
they sing
in a loud and shaky voice
and the camera of the holy spirit
shows the dignity of these people
and makes god say
that is very beautiful

Later
when we have abolished tv as it exists
and are allowed to look at the skin of aging women
and are unafraid of eyes
that have lost their lashes in weeping
when we respect work
and the workers have become visible
and sing
in a loud and shaky voice

Then we shall see
real people
and be happy about it
like god

Dorothee Soelle, Of War and Love, p. 171
English translation of selected pieces from the German text © 1983 Orbis Books, Maryknoll, NY 10545
First published as Im Hause des Menshenfressers, © 1981 by Rowohlt Tashenbuch Verlag in Hamburg, West Germany

Now that I’m in my mid to late 70s, I find this poem more truthful than ever. I don’t often see aging women or men on TV, just as they are. Maybe in a news piece or documentary. But rarely, if ever, in flashy shows or advertisements. They’re busy reflecting our captivity to spending money on ourselves, our houses, our lawns, our cars, eating out and eating in, or getting ‘fixed’ so our embarrassing flaws don’t show.

As Dorothee Soelle points out, our Creator is watching Alternative tv. The kind that accepts us just as we are when we’re willing to show up just as we are. Happy to be in the presence of one who understands and loves us in all our real flesh.

As always, thank for visiting and reading. These are hard times for all of us. I pray we’ll find ways to help bring about hope, peace, and reconciliation, and courage to show up for our Creator and each other, just as we are.

Elouise

© Elouise Renich Fraser, 15 June 2020
Photo of miners found at WestVirginiaInjuryLawyers.wordpress.com

Lest we forget | Wilmington, NC, 1898

I first put these pieces together in February of this year. Why? Because I’m convinced most of us haven’t adequately studied the history of racism in the United States. Outstanding books are available for those with time and opportunity to read them.

Nonetheless, I found these news clips riveting, tragic, and sadly, an echo (in different language) of our current situation. These aren’t editorials about what happened years ago. They’re evidence documenting this tragedy as it unfolded.

If you’re not able to read books about the history of racism in this country, read these old documents and study the photo at the bottom. To learn more about the photo, check out this article about the Wilmington (North Carolina) insurrection and massacre of 1898.

 


© Elouise Renich Fraser, 14 June 2020
Photo and records found at Wickipedia.com

Lost

Lost–

Not simply to myself
but to others who think
they’ve found me

as though I were a box
of brown/white/red/black/yellow rice
sitting on a bottom shelf

Even writing
feels like wandering
down neglected back roads

and fake inroads
littered with poisonous comments
I’d rather not hear

Much more of this
and I’ll be certified useless–
stuck in todays’ sorrows

wondering how this came to be
and why I find myself on the
bottom shelf in the back row

As a nation we’re lost in warring madness, even though there’s been no official declaration of war.

I’m grateful for heated dialogue, courageous and persistent protests, and demands for sorely needed change. I’m also grateful for medical and support personnel as well as researchers paying attention to Covid-19 patterns and realities.

Without them, we wouldn’t have documentation about the high cost of Covid-19 to Black lives (see visual chart above). Nor would we hear about the high inhuman cost of rewarding corporations and Fat Cats on the take.

Still, we don’t yet have a clear path forward that takes these realities into account, or nation-wide strategies to create fair playing fields for all denied basic human rights and dignity. The next Presidential election feels like light years away.

I wonder how all this affects you, and your daily decisions. I’m still feeling my way along, grateful for WordPress and for you.

Thanks for visiting and reading!
Elouise

© Elouise Renich Fraser, 13 June 2020
Graphic chart of COVID-19 impact on NYC neighborhoods found at rollingstones.com

The Teachers | Mary Oliver

Mary Oliver, like the mockingbird above, wants our attention. My comments follow her poem.

The Teachers

Owl in the black morning,
mockingbird in the burning
slants of the sunny afternoon
declare so simply

to the world
everything I have tried but still
haven’t been able
to put into words,

so I do not go
far from that school
with its star-bright
or blue ceiling,

and I listen to those teachers,
and others too–
the wind in the trees
and the water waves–

for they are what lead me
from the dryness of self
where I labor
with the mind-steps of language–

lonely, as we all are
in the singular,
I listen hard
to the exuberances

of the mockingbird and the owl,
the waves and the wind.
And then, like peace after perfect speech,
such stillness.

© 2008 by Mary Oliver
Published by Beacon Press in Red Bird: Poems by Mary Oliver, pp. 27-28

Yesterday I did nothing but what I felt like doing. This wasn’t about luxuriating. It was about sanity, clarity, and an airing of my restless need to DO something about everything going wrong in this world.

The list of possibilities seems endless because realities now facing us seem endless. If we have eyes to see and ears to hear, every agony of the last centuries is now haunting us. Our day of reckoning? It remains to be seen how we’ll end up as a nation.

Nonetheless, I can’t afford to ignore the sight or exuberant sounds of mockingbird and owl, waves and wind, and stillness.

Listening to other people and to nature are learned skills. Mary Oliver’s poem suggests a connection, perhaps even a dance between listening to human voices and listening to nature. Not so we can defend ourselves, but so we, too, can be led

…from the dryness of self
where I labor
with the mind-steps of language–

lonely, as we all are
in the singular….

Thanks for visiting and reading.
Elouise 

© Elouise Renich Fraser, 11 June 2020
Singing Mockingbird found on YouTube
Recording belongs to the Cornell Lab of Ornithology

The human shadow revisited

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                            Mature Dawn Redwood at Longwood Gardens

Five years ago I posted comments on George MacDonald’s sonnet for June 9. Today I rediscovered it, right on time. It helps me think about my actions during this tumultuous uprising through which we must go together, or die. My lightly edited comments from five years ago follow.

June 9

Faith is the human shadow of thy might.
Thou art the one self-perfect life, and we
Who trust thy life, therein join on to thee,
Taking our part in self-creating light.
To trust is to step forward out of the night—
To be—to share in the outgoing Will
That lives and is, because outgoing still.

George MacDonald, Diary of an Old Soul,
© 1994 Augsburg Fortress Press

What does MacDonald’s opening line mean? “Faith is the human shadow of thy might.”

I can’t help thinking about the grand trees I saw yesterday. It was a hot, humid day begging for shade and breezes. We found it beneath huge trees reaching toward the sky. Could their welcome shade be like faith? An earthly shadow of God’s creative reach?

I imagine myself stepping out of burning sun (MacDonald’s ‘night’), into the shade. Into faith that exists only because of ‘thee’ and ‘thy might.’ I didn’t create the shade. I can’t touch it. I feel it in every part of me. It calms the boiling molecules in my body. It gives me energy to move forward and outward.

Imagine this. Perhaps the Creator’s towering tree-like presence reaches out large limbs that support a leafy umbrella offering respite and relief. I’m not the tree. Yet by standing within the tree’s shadow, I join myself to its life. To my true home. Unlike the tree, I can’t see this with my eyes, yet I know it by faith. Faith that dwells within the shadows of the Creator’s presence.

This means stepping forward “out of the night” is like stepping into the shade of a majestic tree. It’s a way of sharing in the life of the tree, of gaining strength and energy found only within its life, its ‘will,’ its outgoing nature.

The Creator’s will, like the tree, is outgoing. Reaching away from itself to create and recreate all nature including human nature. To become part of the Creator’s life is to ‘join on’ by stepping forward ‘out of the night’ (or out of the burning heat).

Only then do I exist truly and share fully as a human participant in the life of this world with all its upheavals and joys. Not because of my own great ideas, but as a participant in this strangely beautiful and demanding partnership with our Creator.

© Elouise Renich Fraser, 10 June 2015, lightly edited and reposted on 9 June 2020
Photo credit: DAFraser, 9 June 2015, Longwood Gardens

Still I Rise | Maya Angelou

A family of African American war workers in a makeshift bedroom in Little Toyko, Los Angeles in the 1940s. (Los Angeles Daily News/UCLA Archive)

“Still I Rise” is Maya Angelou’s tribute to the courage and endurance of African American women. It’s also the title of one of her books of poetry. My brief comments follow.

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Maya Angelou, poet; found in Sterling’s Poetry for Young People series, page 30.
Published in 2013 by Sterling Children’s Books, New York, an imprint of Sterling Publishing Co., Inc.
Editorial material © 2007 by Edwin Graves Wilson; Illustrations © 2007 by Jerome Lagarrigue|

Maya Angelou’s poem is worth reading out loud and slowly, using every ounce of imagination to join her. Not necessarily as a sister, but as a beginner or better yet, a follower.

I struggle over what I can and cannot do to join her in these closing days of my life. For now I’m reading poetry, watching documentaries, reading news articles and editorials, and listening online to black friends and strangers talk about what’s happening.

For centuries, racial injustice has bled into today’s mega-epidemic of prisons, soaring rates of Covid-19 deaths among African Americans, closed or understaffed medical facilities, corporate greed, random killings, modern-day enslavements, distrust, fear and weeping rage. Unaddressed, this blatant, calculated and habitual injustice also stokes our current epidemic of unleashed white supremacy.

As noted above, try reading Angelou’s poem out loud and slowly. What do you hear?

Praying for discernment, courage and peace,
Elouise

© Elouise Renich Fraser, 8 June 2020
Photo found at http://www.latimes.com

What’s going on? | Update and freebies

Onlookers raise their fists following a memorial service for George Floyd in Minneapolis, Thursday, June 4, 2020. Floyd, an African-American man, died in Minneapolis police custody. (Victor J. Blue/The New York Times)

Unless we face reality as a nation, and maintain momentum, we’re in trouble. No matter who the next President is.

Covid-19 has disproportionately impacted people of color, the sad and sorry outcome of our history with Black Americans. Despite this, Mr. Trump and some of his followers seem content with the way things are. He has politicized the killing of George Floyd by, for example, invoking different standards for his militaristic ‘peace-keepers,’ and those seeking change for all of us.

Change won’t be easy. Yet it could be productive if we face reality and maintain momentum. I’m heartened by news reports about state officials outlawing tactics used by officers and others to subdue (kill) Black men and women.

Last Wednesday, in the midst of all this, our electricity went off. D and I were watching a riveting documentary called “I Am Not Your Negro.” It’s about James Baldwin. We finished it today, after the electricity came on. It’s powerful, brutually honest, and puts the burden of proof on us as citizens. Especially on white people like me.

Today I found a site that offers a number of documentaries and movies FREE for this month. They’re about the way we’ve treated Black Americans in this country. “I Am Not Your Negro” is offered to a selected number of cities. However, “Just Mercy” is available for anyone, along with “Selma.” Click here to find out more.

Finally, last Wednesday afternoon, the tri-state area experienced sudden, intense downdrafts and storms that ripped through cities and communities. Our county was hard hit, with huge trees blown over, power lines down, and a number of deaths.

No electricity, no internet access, no telephone, no TV. It’s good to be back!

Elouise

© Elouise Renich Fraser, 6 June 2020
Photo found at chicagotribune.com

Where Do We Go From Here: Chaos or Community?

Covid-19 has been disproportionately deadly to populations already struggling to survive. Especially, but not only, Black Americans. The blatant killing of yet another Black citizen is pushing us to the brink of chaos.

I’ve spent the last few days listening to and reading responses to our current situation. Today I’m passing along a few notes, and the link above to Pastor Charles Montgomery’s excellent discussion this morning. It’s well worth watching.

Pastor Montgomery begins with Reverend Dr. Martin Luther King Jr.’s question: Where do we go from here: chaos or community? (The title of his last book before his assassination in 1968)

If we want to understand what’s happening today, Pastor Montgomery suggests we begin with three reasons for our current chaos.

  • polarization caused by fear
  • politics fueled by anger (and  driven by fear)
  • radicalization inflamed by injustice, real or perceived

These three tensions are pulling at the fabric of our nation. Trying to tear us apart.

What’s the alternative? Choosing not to live in fear, but to love God and one another.

This echoes the question Jesus asked one of the religious elite, and then answered with a story-question, Who is my neighbor? (Luke 10:25-37). The unexpected answer: The Samaritan who dared to stop and become the neighbor of a Jewish man beaten up, left to die on the side of a road, and bypassed by the religious elite. Go thou, says Jesus, and do likewise.

The Samaritan got involved. Not out of sympathy, but moved by empathy. He understood what it was like to be ignored, belittled, or even left dying on the side of the road.

Furthermore, he didn’t waste any time. He used what he had at hand, and did what he could until this man was healed.

If I want to be like the Samaritan, Rev. Montgomery suggests I ask myself questions like these:

  • What captures my attention when I see someone different who’s in trouble? What’s the first thought that goes through my mind?
  • Who are my friends? Not just at church, but in my neighborhood, on Facebook or WordPress.
  • With whom do I talk? What do I read? (Or do I cocoon myself in a ‘safe’ small world?)

Distance is a barrier to peace. Empathy comes close to pain without minimizing, ignoring, dismissing, or questioning the other person’s character. It remains present, asks questions, offers support, prays, dresses wounds, uses what it has at hand.

Empathy doesn’t try to fix the situation. Take charge. Pontificate. Or ignore.

Please pray for us, and for millions of others in similar situations.
Elouise

© Elouise Renich Fraser, 2 June 2020
Video posted on Facebook.com

Acid | Mary Oliver

When I first read this poem, I shuddered. I didn’t like it. Then I discovered “Of the Empire,” which seems cut from similar cloth. My comments follow.

Acid

In Jakarta,
among the venders
of flowers and soft drinks,
I saw a child
with a hideous mouth,
begging,
and I knew the wound was made
for a way to stay alive.
What I gave him
wouldn’t keep a dog alive.
What he gave me
from the brown coin
of his sweating face
was a look of cunning.
I carry it
like a bead of acid
to remember how,
once in a while,
you can creep out of your own life
and become someone else—
an explosion
in that nest of wires
we call the imagination.
I will never see him
again, I suppose.
But what of this rag,
this shadow
flung like a boy’s body
into the walls
of my mind, bleeding
their sour taste—
insult and anger,
the great movers?

© 1992 by Mary Oliver
Found in New and Selected Poems, Volume One, pp. 130-131
Published by Beacon Press

I don’t think Mary’s intent was for us to like this poem. Instead, she describes an incident in Jakarta, and what happened to and within her. It’s so disturbing that she can’t forget it. As she puts it, she carries this image “like a bead of acid” so real that for a moment she’s able to become this child.

Mary puts her own experience in Jakarta out there like a mirror, and invites us to ponder her closing question. What am I going to do with this “shadow” flung into the walls of my mind? This image that bleeds  a “sour taste—insult and anger, the great movers.”

It doesn’t matter how I feel about the person in front of me. What matters is the blatantly visible truth, and how I choose to respond to it.

None of us can change the world single-handedly. Perhaps we could begin by noticing encounters that distress us, and go from there.

We don’t have to go abroad to understand this poem. It’s alive and well right now. The perfect storm is upon us here in the USA. Covid-19 plus yet another brutal murder of a black man.

Am I prepared to take this storm seriously? Or am I going to keep trying to get back to business as usual, distract myself to death, or worse–give up all hope of something better?

© Elouise Renich Fraser, 31 May 2020
Flower Market in Jakarta found at TripAdvisor.com

It feels so good

It shouldn’t be difficult
This discipline of
Resisting

Resist the devil
And he will flee from you

Just say No
How hard can it be?

Close your eyes or
Turn off the TV
If you don’t like
What you see and hear

Write an angry letter
And be done with it

Unconvincing words and deeds
Scream the truth
As she stumbles her way home
Once again numb and high
On the self-righteous thrill
Of having given someone
A piece of her mind
Now lost somewhere
In the universe of babble

It feels so good—enabling Mr. Trump with my anger as well as my attention. Yet it does nothing to change what is beyond my control.

Or put another way, what am I neglecting when I give away so much energy, with no positive return?

Elouise

© Elouise Renich Fraser, 28 May 2020
Resistance art found at pinterest.com