Telling the Truth

connecting the dots of my life

Tag: the human condition

How I’m praying about Mr. Trump

Gingerly. Yet with more conviction than ever.

Everything I see ‘out there’ is a microcosm of my heart. Not always in the same form, but always about the same kinds of issues. My desire to change situations. My need for affirmation and affection. My love of power and control. My constant preoccupation with security and survival. And, I might add, my Greatness.

“Your kingdom come; Your will be done on earth as it is in heaven” was never so difficult to pray as it is right now, given what we see and hear every day. This includes what I see and hear in my own thoughts and feelings.

Whether I look into my heart or see it on TV or on my iPad news feed, I’m reminded daily that I have limited power, control, security, and hope for survival.

My prayers don’t guarantee that justice will be done immediately. They do, however, help me stay focused on what really matters to the Most High God, the Creator of heaven and earth, the One who chose to become one of us. To show us how true leaders lead, and how true followers follow.

Below is a Psalm that clarifies exactly what is both needed and woefully rare in politics today. It also clarifies the outcome for leaders who fail to deliver the itemized goods.

In the Psalm, I take the term ‘god’ to mean rulers and leaders who must answer to the Most High God. I strongly suggest you read it out loud, with anger/distress/disbelief or whatever emotion you are able to draw upon from your own experience of injustice and wickedness.

Whatever you do, don’t try to dress it up all pretty and nice. Or explain it away. It’s truth, not fiction or a make-believe game about another time and place. It’s about now. With plenty of comfort and hard words for each of us.

Psalm 82, A psalm of Asaph. (NRSV, small edits by me)

The Most High God presides in the great assembly;
Rendering judgment among the ‘gods’:

“How long will you defend the unjust
And show partiality to the wicked?
Defend the weak and the parentless;
Uphold the cause of the poor and the oppressed.
Rescue the weak and the needy;
Deliver them from the hand of the wicked.

“The ‘gods’ know nothing, they understand nothing,
They walk about in darkness;
All the foundations of the earth are shaken.

“I said, ‘You are ‘gods’;
You are all children of the Most High.’
But you will die like mere mortals;
You will fall like every other ruler.”

Rise up, Most High, judge the earth,
For all the nations are your inheritance.

© Elouise Renich Fraser, 22 February 2018
Image found at www.provencio.com

Dethroned

The winter Olympics are upon us! So just for today, here are a couple of old photos from my past that tell a bit of a story about my family of one father, one mother and four sisters. Nothing profound, unless you’ve been there and understand the dynamics of being dethroned.

First: I’m the oldest, 10 years old judging by the shape of my body parts. An early bloomer as they said back then. Sister #2 is 8 1/2 years old, and Sister #3 (Diane) is 4 years old. Sister #4 is still a baby. And yes, my hair is in rubber-hive curlers. An attempt to make my hair look pretty.

It’s bad enough to be the first-born dethroned three times by the arrival of baby sisters who suddenly grab all the attention. But to be forced to give up my rightful seat on my brand new adult-size bike when I was 10 years old got my goat. Not that I let it show very much in the photo, but I guarantee you, I’m not happy in photo #2.

Nor is Diane, Sister #3, the youngest in the photo. She has totally checked out of the happy sisters mode and is enduring the shame of having been booted from her larger wheels to this ridiculously tiny baby tricycle. I love her for her honesty. She has her hands defiantly clasped in her lap–not on the handlebars as requested by my father. Sister #2 is being as cooperative as possible, having given up her two wheels for three.

And there I am, boiling with indignation on the inside (yes, I remember this well) but ‘calm’ on the outside, while my mother poses for my father on MY new bike! I wonder what was going through her mind?

Small stuff, you say? Not to me. Which is already more than enough said.

For now, Happy Friday and Happy Winter Olympics! May the best women and men win, and those dethroned be gracious and appropriately distressed.

© Elouise Renich Fraser, 9 February 2018
Photos taken by my father, Fall 1953, in our front yard near Savannah, Georgia

There is a pain — so utter —

Emily Dickinson suggests there’s a pain that’s better left lying, almost forgotten. Else it would destroy the victim, one painful piece at a time. My comments follow her poem.

There is a pain – so utter –
It swallows substance up –
Then covers the Abyss with Trance –
So Memory can step
Around – across – upon it –
As one within a Swoon –
Goes safely – where an open eye –
Would drop Him – Bone by Bone.

c. 1862

Emily Dickinson Poems, Edited by Brenda Hillman
Shambhala Pocket Classics, Shambhala 1995

Emily suggests that in spite of extreme pain, we get by thanks to Trance. Like a bandage, Trance covers the wound and the depth of our pain so that Memory can walk safely around or over it. Our eyes are spared the full extent of our pain.

Emily likely has her own pain in mind. In fact, this poem raises again the possibility that someone victimized her when she was a young woman. If so, perhaps her poem is one way of dealing with the horror of seeing (feeling, remembering, reliving) what happened to her. Bone by Bone. One terrifying moment after another. The slow-motion dismemberment of a human spirit, a human being.

Yet this pain is also generic. Not simply something that happened to Emily, but what happens to each of us and all of us. Individually and together. In a thousand permutations.

Perhaps we’re in a Swoon, awake just enough to navigate each day without being brought down by our pain, living in Trance mode. Semi-reality. Semi-truth. Which amounts to untruth, and thus unreality.

I think of the USA and our preference for letting pain lie deep underground while we make our way across and around it. As though it never happened or weren’t that important. Slavery has caused unrecorded, unheard pain to millions. Yet here we are in African American History Month, still unable as a nation, beginning with our leaders, to face this history face-on, with eyes wide open.

We find ways to get by without acknowledging the depth and horror of this and other examples of our national pain. Yet it’s right beneath our feet. Beneath the surface history of our current state of disunion. It seems we’re living in a national epidemic of Trance. We get  by, or so we think, without acknowledging the depth and horror of our pain.

Emily seems to have personal pain in mind. Yet personal pain feeds on and adds to our collective pain. As a nation we like to think we’ve come a long way, and are now beyond the worst. Nonetheless, I see us living the sad and sorry outcomes of unexamined pain lying just beneath the surface of Trance.

© Elouise Renich Fraser, 8 February 2018
Image found at pinterest.com

Loving the last chapter


Loving the last chapter
Short or long it’s upon me
An uneasy wedding of
For better and for worse

Heavy world-weariness
Creeps in when not looking
Though my heart insists
There’s still love to live

Not yesterday’s love
But today’s and tomorrow’s
My mind leaps up and
Out of bed each morning

Though my body won’t
Go there my heart races
Ahead into undreamed dreams
As unwritten words pile up

A strange sensation this
Knowing but not knowing where
Or how the rest of my life
Will play in this shrinking world

© Elouise Renich Fraser, 6 February 2018
Image found at shitijbagga.net

the artist’s dream

the artist’s dream
takes an unlikely turn
into the desert

I’ve loved this painting ever since I first saw a version of it. I was shopping for discounted Christmas cards, and found a box full of blank Christmas cards with the sphinx, Mary and the Christ child. It’s still the most beautiful Christmas card I’ve ever seen.

I also love the larger painting. Joseph sprawls exhausted on the ground, head pillowed by a stone. His faithful donkey nibbles at blades of grass, and a small fire burns steady into the clear night air.

Perhaps Joseph is the artist dreaming this vision of unexpected beauty. Or perhaps Mary is dreaming it. Or even the Christ child–for whose life these young parents are fleeing their hometown. Refugees in the desert. Alone but not alone. On the way to Egypt. Taking nothing but themselves. Watched over by a power greater than themselves.

© Elouise Renich Fraser, 5 February 2017
Image of artwork found at wickipedia.com – Rest on the Flight into Egypt 1879, by Luc-Olivier Merson

fake smoke and cold mush

fake smoke
wafting from a thousand fires
signifies nothing

yesterday’s hot memo
is today’s cold mush
tasteless

Is this speaking truth to power? I don’t know. I do know it’s a reminder to myself that my voice matters. Especially now. Not as a way of manipulating reality, but as a way of staying honest and getting on with life at the same time.

Granted, this is life in a strange key. Academics and analysts who study patterns say we in the USA have been moving toward this social/political stand-off for a while. Still, current events are disconcerting. Sometimes it feels like a slow-motion, high-impact train wreck.

Hence my verses above. Spoken because for me, silence won’t do in this climate of intimidation tactics, fake smoke, hot memos and cold, tasteless mush.

Have I given up? Only if I fail to use my voice and cast my vote. And only if I act as though I or some other human being were God or even God’s Special Agent as defined by me.

Sabbath rest sounds like a good idea. Time to acknowledge I’m not in control, and that my voice matters. As does yours. Or, put another way, it’s time to let our lights shine.

Thanks for reading.
Elouise

© Elouise Renich Fraser, 3 February 2018
Photo found at nilemuse.blogspot.com

I don’t think I like your religion

I’ve included a few comments below about the context for Morton’s lyrics.

Religion

I don’t think I like your religion
Don’t always make the best decisions
Not sayin’ you don’t have good intentions
I know that you are only human

But you blame your God when it’s your own fault
Where is the love that your God spoke of?
Your God has nothing to do with them
Nothing to do with them
Nothing to do with them
Nothing to do with them

That’s what you were told, let’s just be honest
You didn’t even take the time to find it yourself
You just took their words to be true
You don’t even know why you believe what you do

But you blame your God when it’s all your fault
Where is the love that your God spoke of?
Your God has nothing to do with them
Nothing to do with them
Nothing to do with them
Nothing to do with them

Your God has nothing to do with them
Nothing to do with them
Nothing to do with them
Nothing to do with them (repeated twice)

P. J. Morton lyrics to Religion, recorded on his Grammy-nominated hip-hop album, Gumbo

This past weekend I listened to a public radio interview with hip-hop artist P. J. Morton. His father, also a musician, is an ordained clergyman. Morton talked about his commitment to hip-hop, his religious upbringing, and the way it influences his music. I didn’t make notes, but here’s part of what I heard during the interview.

The religious language of white evangelical Christians who supported Trump for president reminds Morton of the way white slavers kept Black slaves in their place. Thus, “I don’t think I like your religion.” This kind of religion became a vehicle for inhumane political ends during slavery. Today, this kind of religion is still a vehicle for inhumane political ends. It’s supported now as then by unexamined, faulty assumptions about the God of Christianity.

Morton’s response is simple: Don’t blame God “when it’s all your fault.” Don’t expect God to bless your decisions. They’re based on faulty, unexamined notions about God. What you call God’s will, supposedly being worked out through Trump, is your own uninformed will dressed up in religious language. God is not your puppet. And Trump is not God’s agent sent to do your faulty bidding.

You are, after all, “only human.” Even though you may have good intentions.

Too bad the Grammys chose to overlook Morton’s prophetic music.

© Elouise Renich Fraser, 30 January 2018
Studio-recorded video found here on YouTube
Interview excerpt found here, plus a link to an audio of the full interview with Michel Martin on NPR’s All Things Considered

Haunted by unlived history

A couple of weeks ago I uncovered buried treasure. I’d stashed it away in a large envelope of notes I typed and wrote out in the early 1990s. The notes were about boys and men who made an unforgettable impression on me from childhood until the early 1990s.

This wasn’t simply a list of names. It was an itemized, annotated, categorized and coded treasure trove of information and reflection under several headings. Men I hardly knew, plus the real world of men I knew all too well.

I didn’t write this out on a whim. It was part of a therapy exercise for survivors of child sexual abuse. A way of getting to know myself better—by way of reflection on men who made an impression on me.

But before getting into that, I want to tell you about something else.

Several days ago I read about the way our parents’ unlived lives make an impact on us. Especially on our internal lives. This means that even though I appear normal on the outside, I can quickly numb out, withdraw, or shut down internally when I’m uncomfortable in a relationship. In fact, I’m skilled at this, even though it’s also a source of anguish.

The next morning I woke up and almost immediately burst into tears. My mother’s unlived life included her unlived life with me. I have no memories at all of my mother hugging, cuddling or touching me affectionately. She was industrious, resourceful, creative, and an attentive caretaker when I was sick. She was not, however, spontaneously or overtly affectionate.

My body and spirit grew up craving affection. I can’t count how many times my mother bent over to kiss me goodnight and kissed the air above my cheek instead. It still gnaws at me. A gaping hole in my heart that makes me wonder whether I was really loved.

I wasn’t simply running away from my father’s unsafe touch and punishing, overbearing, demeaning ways. I was also starving for my mother’s touch, affection, guidance and wisdom. I needed a safe haven in which I didn’t have to impress anyone, or get sick so I could be comforted.

Behind my history lies my mother’s history with her mother, my Grandma Z. One of my mother’s sad mantras was “I never had a mother.” She was correct. Grandma Z ran away with another man and divorced her first husband when my mother was very young.

My mother grew up without being cuddled, hugged or celebrated by her mother. Grandma Z favored her younger son, and treated my mother more like a toy doll. A plaything to dress up and display proudly. Not a little girl to listen to, love, comfort or encourage.

So there I was years later, a young woman. Uneasy in my body and spirit. Needy and pushing away at the same time. Haunted by my mother’s inability to affirm my body and my spirit. I didn’t think anyone would want to marry me. I also thought that having a man love me would heal my heartaches and take away the pain.

To be continued….

© Elouise Renich Fraser, 27 January 2018
Photo taken when I was 9 months old, 1 month before my father returned from the TB sanatorium; July 1944 in Charlotte, NC

no poems today

no poems today –
somewhere young children
cower and weep

fear and longing
hold their collective breath
waiting the verdict

And when the verdict is in, then what?
How do bodies and souls find their way
In a world that quickly forgets
Just what the commotion was all about

Are we ready for masses of victims
Supposedly set free by newsworthy justice
Yet marked indelibly by sordid daily injustices?

And what about today’s other children
Living in bubbles of make-believe normalcy
Inhaling lies about love as an
Overnight fling or great adventure?

Every 24 hours soul-breaking rites of passage
Leave bitter spirits and aching bodies behind

Who will pick up our broken pieces
And love them back to life?

© Elouise Renich Fraser, 26 January 2018
Image found at jewishcommunitywatch.org

feeling unnerved

a foot bridge beckons
park lights pierce dark midnight
the way ahead fades

***

Feeling unnerved tonight
wandering through my mind
not sure where I am
or what to do next

Life happens quickly
though it feels like slow motion
so little time to listen to myself
much less to You

It’s almost midnight now
and I’m still not sure where I am
or where I’m going

Would You be offended if I
just follow in Your footsteps
wide awake or stumbling
wondering Where and Why?

Many thanks to my blogging friend John for the photo at the top. It was taken in Caulfield Park at about midnight after a sweltering hot day in Melbourne, Australia. The ambiguity of the photo grabbed my attention, and John kindly agreed to let me use it for a poem not yet written.

John has followed my blog almost since its birth. You can check out the post about his midnight walk right here:

https://paolsoren.wordpress.com/2018/01/20/night-time-in-the-park/.

John’s posts are Australian to the core, full of entertaining, thought-provoking, irreverent, hilarious and enlightening insights. All dished up in his native tongue. I’ve told him at least a million times I wish I’d had him as a teacher. Somewhere along the line he got the gene. Now he’s retired, wandering around here and there with his camera, or pulling out old photos about the way things were when he too was very young.

© Elouise Renich Fraser, 23 January 2018
Photo taken by John (paolsoren) in Caulfield Park, Melbourne, Australia, January 2018