And what of those sinned against?
And what of those sinned against –
Bathsheba and Tamar,
The concubine cut up into pieces
By her Levite priest owner,
The two virgin daughters of Lot,
And millions of wounded women and men
Sitting in yet another dock wondering
How long their nightmares will last?
How can we beg God for forgiveness
And enjoy the fruits of mercy
Without even a nod to our victims
Who daily carry within and upon
Their embodied souls a lifetime
Of self-punishment as though they
Could ever atone for their broken selves?
They sit beside us in the pews (or not)
Afraid to tell their unwelcome truths
Terrified of whispers and innuendo
Choking on heaped-up tamped-down shame
And fear that they are indeed to blame
For predatory practices wielded skillfully
By church-going men or even women
Who now worship God freely and
Joyously believing all has been forgiven
When they haven’t begun to make amends
To those they harmed including themselves
I don’t have answers. Just questions this morning.
1. What does it mean to go to church carrying shame in a body meant to be loved and set free?
2. How do we begin to notice and reach out to listen and learn, not to fix what we may quickly decide is the true ‘problem’ when it isn’t?
3. Indeed, how do we come clean about our own unhealed wounds that will surely be exposed when we’re telling our truth?
The poem above comes from multiple experiences of being turned into ‘the problem’ I was not. Too often this was about my femaleness, which supposedly justified problems and attitudes that originated with others, usually men.
To all such people, including members of my family plus some pastors, employers and work or church-related colleagues:
Your problems are not rooted in my body,
my soul, my mind, my emotions,
my mouth, the look on my face,
or what I happened to be wearing that day.
On the other hand, I could learn from you if you’re interested and I’m not scared shitless. Otherwise, we’ll just keep soldiering on in our walled-off worlds, teetering precariously from time to time until it’s too late.
© Elouise Renich Fraser, 24 September 2018