Telling the Truth

connecting the dots of my life

Category: Spiritual Formation

Haunted by unlived history, #2

Wedding Day, 11 September 1965

When I married D I believed I’d found the answer to all my problems. I was ecstatic. Finally I had a life of my own, and a man who would love me and not try to fix me. It might not happen overnight, but eventually I would be my own woman, doing my own thing. And D would love me no matter what.

Two weeks before we married, in 1965, I told D I was afraid he would leave me behind. Here we were, getting ready to marry and move to Boston where he would pursue a graduate degree. But what would I pursue? No, I didn’t have anything in particular I was dreaming about, though someday I might want further education.

In 1973, we ended up in California with two young children, and both of us enrolled in seminary. I was ecstatic. Maybe I would find myself at seminary.

Yet my sense of being on the sidelines of life grew. Especially as D received work-related assignments to travel, while I stayed home caring for our young children and pursuing my seminary studies.

I went through periods of exhaustion, depression, bouts of anger, resentment and resignation. I felt trapped, misunderstood and lonely. Any kind word or smile that came my way, especially from men, was more than welcome, though I felt uneasy about this. Wasn’t I supposed to love D and no one else? And wasn’t his love for me more than enough?

Seamlessly and unknowingly I enacted the script of my mother’s unlived life. Not just a script about still needing love and affection, but a larger script about not having or following my dreams, not believing in or taking care of myself. I was too busy taking care of others.

I didn’t know or believe in myself, or my ability to go after large targets and impossible dreams. When opportunity knocked, my habitual responses were self-defeating.

  • Too busy to take advantage of opportunities
  • Afraid to put myself out there for consideration
  • Disbelief in my demonstrated gifts or potential
  • Feeling less than qualified
  • Changing the subject as quickly as possible
  • Finding out how I might help you follow your dream

I was in trance mode—caught in a waiting-game that feels like being on a train that moves yet never arrives because it has no known station.

I watched and cheered as other women and men pursued their dreams. I wrote hundreds if not thousands of reference letters on behalf of others. Yet never once did I write a letter in support of my dreams. I was living my mother’s unlived life. Doing what I could to support others, and choosing not to pursue anything strictly for myself.

So how does my history with men fit into all this? More to come.

© Elouise Renich Fraser, 31 January 2018
Photo taken at our wedding, 11 September 1965

I don’t think I like your religion

I’ve included a few comments below about the context for Morton’s lyrics.

Religion

I don’t think I like your religion
Don’t always make the best decisions
Not sayin’ you don’t have good intentions
I know that you are only human

But you blame your God when it’s your own fault
Where is the love that your God spoke of?
Your God has nothing to do with them
Nothing to do with them
Nothing to do with them
Nothing to do with them

That’s what you were told, let’s just be honest
You didn’t even take the time to find it yourself
You just took their words to be true
You don’t even know why you believe what you do

But you blame your God when it’s all your fault
Where is the love that your God spoke of?
Your God has nothing to do with them
Nothing to do with them
Nothing to do with them
Nothing to do with them

Your God has nothing to do with them
Nothing to do with them
Nothing to do with them
Nothing to do with them (repeated twice)

P. J. Morton lyrics to Religion, recorded on his Grammy-nominated hip-hop album, Gumbo

This past weekend I listened to a public radio interview with hip-hop artist P. J. Morton. His father, also a musician, is an ordained clergyman. Morton talked about his commitment to hip-hop, his religious upbringing, and the way it influences his music. I didn’t make notes, but here’s part of what I heard during the interview.

The religious language of white evangelical Christians who supported Trump for president reminds Morton of the way white slavers kept Black slaves in their place. Thus, “I don’t think I like your religion.” This kind of religion became a vehicle for inhumane political ends during slavery. Today, this kind of religion is still a vehicle for inhumane political ends. It’s supported now as then by unexamined, faulty assumptions about the God of Christianity.

Morton’s response is simple: Don’t blame God “when it’s all your fault.” Don’t expect God to bless your decisions. They’re based on faulty, unexamined notions about God. What you call God’s will, supposedly being worked out through Trump, is your own uninformed will dressed up in religious language. God is not your puppet. And Trump is not God’s agent sent to do your faulty bidding.

You are, after all, “only human.” Even though you may have good intentions.

Too bad the Grammys chose to overlook Morton’s prophetic music.

© Elouise Renich Fraser, 30 January 2018
Studio-recorded video found here on YouTube
Interview excerpt found here, plus a link to an audio of the full interview with Michel Martin on NPR’s All Things Considered

Haunted by unlived history

A couple of weeks ago I uncovered buried treasure. I’d stashed it away in a large envelope of notes I typed and wrote out in the early 1990s. The notes were about boys and men who made an unforgettable impression on me from childhood until the early 1990s.

This wasn’t simply a list of names. It was an itemized, annotated, categorized and coded treasure trove of information and reflection under several headings. Men I hardly knew, plus the real world of men I knew all too well.

I didn’t write this out on a whim. It was part of a therapy exercise for survivors of child sexual abuse. A way of getting to know myself better—by way of reflection on men who made an impression on me.

But before getting into that, I want to tell you about something else.

Several days ago I read about the way our parents’ unlived lives make an impact on us. Especially on our internal lives. This means that even though I appear normal on the outside, I can quickly numb out, withdraw, or shut down internally when I’m uncomfortable in a relationship. In fact, I’m skilled at this, even though it’s also a source of anguish.

The next morning I woke up and almost immediately burst into tears. My mother’s unlived life included her unlived life with me. I have no memories at all of my mother hugging, cuddling or touching me affectionately. She was industrious, resourceful, creative, and an attentive caretaker when I was sick. She was not, however, spontaneously or overtly affectionate.

My body and spirit grew up craving affection. I can’t count how many times my mother bent over to kiss me goodnight and kissed the air above my cheek instead. It still gnaws at me. A gaping hole in my heart that makes me wonder whether I was really loved.

I wasn’t simply running away from my father’s unsafe touch and punishing, overbearing, demeaning ways. I was also starving for my mother’s touch, affection, guidance and wisdom. I needed a safe haven in which I didn’t have to impress anyone, or get sick so I could be comforted.

Behind my history lies my mother’s history with her mother, my Grandma Z. One of my mother’s sad mantras was “I never had a mother.” She was correct. Grandma Z ran away with another man and divorced her first husband when my mother was very young.

My mother grew up without being cuddled, hugged or celebrated by her mother. Grandma Z favored her younger son, and treated my mother more like a toy doll. A plaything to dress up and display proudly. Not a little girl to listen to, love, comfort or encourage.

So there I was years later, a young woman. Uneasy in my body and spirit. Needy and pushing away at the same time. Haunted by my mother’s inability to affirm my body and my spirit. I didn’t think anyone would want to marry me. I also thought that having a man love me would heal my heartaches and take away the pain.

To be continued….

© Elouise Renich Fraser, 27 January 2018
Photo taken when I was 9 months old, 1 month before my father returned from the TB sanatorium; July 1944 in Charlotte, NC

no poems today

no poems today –
somewhere young children
cower and weep

fear and longing
hold their collective breath
waiting the verdict

And when the verdict is in, then what?
How do bodies and souls find their way
In a world that quickly forgets
Just what the commotion was all about

Are we ready for masses of victims
Supposedly set free by newsworthy justice
Yet marked indelibly by sordid daily injustices?

And what about today’s other children
Living in bubbles of make-believe normalcy
Inhaling lies about love as an
Overnight fling or great adventure?

Every 24 hours soul-breaking rites of passage
Leave bitter spirits and aching bodies behind

Who will pick up our broken pieces
And love them back to life?

© Elouise Renich Fraser, 26 January 2018
Image found at jewishcommunitywatch.org

buried

buried
beneath snow
life sleeps

Is there an angel in your life? Someone who was there for you at the very beginning when you were most vulnerable? Someone who gave you a gift you didn’t know you had until very late in life?

When I was born, my father had already been flat on his back for 8 months in a TB sanatorium. He came home weak and alive when I was 10 months old. If you’ve read my earlier posts, you’ll know my ordained clergy father was no angel in my life. For a quick summary, read Why I haven’t buried God.

When I was born, my mother was living with a young couple and their 8-year old daughter. Hence I lived the first 10 months of life surrounded by my mother and friends who thought I was God’s gift to each of them.

When my father came home from the sanatorium, things changed quickly. Dad was never one to take his duty lightly. It didn’t take long to change the atmosphere, beginning with a push and shove about whether Uncle Ed was my father or not. And, of course, who was now in charge of our little family. My mother or my father. I believe my mother lost dearly in that transaction. As did I.

Eight months after my father’s homecoming, we moved from Charlotte, North Carolina to Seattle, Washington. I took with me the seed of that elusive thing called resiliency. They say some children have it and some don’t.

In my case, I believe that seed was planted in me the first 10 months of my life. By my mother, Auntie Wyn and Uncle Ed, and their only child Grace. They loved and played with me, fed, encouraged and doted on me. I was the most beautiful baby in the entire world. And I got to hear my mother playing the piano, nurturing in me another invisible seed of resiliency.

See the lovely photo at the top? All the important people (except me, of course) are there. My parents are already surrounded by my surrogate family: Auntie Wyn was mother’s maid of honor; Uncle Ed (with glasses) gave my mother away; Grace was my mother’s flower girl.

Perhaps the bond between my mother and me is stronger and deeper than I ever realized.

© Elouise Renich Fraser, 23 January 2018
Photo of my parents’ wedding in September 1942, Charlotte, North Carolina

feeling unnerved

a foot bridge beckons
park lights pierce dark midnight
the way ahead fades

***

Feeling unnerved tonight
wandering through my mind
not sure where I am
or what to do next

Life happens quickly
though it feels like slow motion
so little time to listen to myself
much less to You

It’s almost midnight now
and I’m still not sure where I am
or where I’m going

Would You be offended if I
just follow in Your footsteps
wide awake or stumbling
wondering Where and Why?

Many thanks to my blogging friend John for the photo at the top. It was taken in Caulfield Park at about midnight after a sweltering hot day in Melbourne, Australia. The ambiguity of the photo grabbed my attention, and John kindly agreed to let me use it for a poem not yet written.

John has followed my blog almost since its birth. You can check out the post about his midnight walk right here:

https://paolsoren.wordpress.com/2018/01/20/night-time-in-the-park/.

John’s posts are Australian to the core, full of entertaining, thought-provoking, irreverent, hilarious and enlightening insights. All dished up in his native tongue. I’ve told him at least a million times I wish I’d had him as a teacher. Somewhere along the line he got the gene. Now he’s retired, wandering around here and there with his camera, or pulling out old photos about the way things were when he too was very young.

© Elouise Renich Fraser, 23 January 2018
Photo taken by John (paolsoren) in Caulfield Park, Melbourne, Australia, January 2018

setting sun

setting sun
kisses cold western sky
clouds blush

The magic lasted only seconds, and this photo captures but a reminder of what my eyes saw. And still I’m drawn to it. A magnificent flame-out at the end of the day.

I wonder, are we not meant to flame out in the last years or moments of our lives? I picture the human spirit about to set off into another world. Sometimes in dire circumstances, yet always still a living human being. Never without beauty even though our eyes may not know how to see it.

Do I know how to see beauty when the photo or the reflection isn’t beautiful by my standards? We seem to have become a race obsessed with beauty. Searching for it, measuring it, trashing it and moving on quickly if we don’t find it in the moment.

I’ve often felt disappointed about what I see in the mirror of my life. Not all of it, but significant chunks of it. These  days I’m beginning to see it differently. I see the reflection of a woman making her way slowly, yet surely, from one revelation about herself to another. The kind that often come at the end of the day. Beautiful to behold.

© Elouise Renich Fraser, 22 January 2018
Photo taken by me with my IPad, 21 January 2018

being at home

being at home
in her spacious small body
the caged bird sings

My life has felt unusually restricted this winter. It seems outrageous. Here I am, an adult woman with my working years behind me, and ‘nothing’ to do but record thoughts going through my mind.

I’ve almost finished my slow reading of Maya Angelou’s I Know Why the Caged Bird Sings. I’ve been on the lookout for times when the caged bird sings. Times when it seems there’s no way out. No way to reverse what’s happening. Until someone begins singing or writing or speaking, creating a different reality. Intangible yet real.

In addition, this morning I read the following lines from a favorite book on writing.

We can travel a long way and do many different things, but our deepest Happiness is not born from accumulating new experiences. It is born from letting go of whatever is unnecessary, and knowing ourselves to be always at home.

Sharon Salzburg, quoted in Gail Sher’s book, One Continuous Mistake: Four Noble Truths for Writers, p. 36, Penguin Group 1999

As Gail Sher puts it, “Home is where writing happens. The writer’s desk is a miniature world. Self-contained. Hopefully quiet. Anywhere else is somewhere else.”

It’s easy to write about somewhere else, or wish I were somewhere else. In someone else’s body or circumstances. I’m as prone to wandering as anyone. Besides, I think I’ve already had more than enough to say about myself.

Yet here I am today, feeling a tug to say more. In particular, more about my relationships with men. And saying it in a way that sets me free. The way Maya Angelou’s words about her life set her free.

Though my life might seem tame when compared with others, I used to think I would rather die than talk about my history with men. This past week I pulled out notes I made years ago that will help me do this. It’s important, because I believe my history with men was driven by things I was looking for. Not by something inherently wrong with me.

In the end, I want what sometimes has felt like a cage to be part of my home. The platform from which I sing.

© Elouise Renich Fraser, 20 January 2018
Image found at asfmtech.org

chilled to the bone

chilled to the bone
night’s deep silence descends
winter drifts through cracks

***

Disconnected from feelings
Numb and disbelieving
I want to write
So many unknowns
So much at stake
So little time left
Will I or Won’t I?
Sooner or Later?
Is Never still an option?

This week brought unwelcome news in a couple of areas. No catastrophic accidents. Just the knowledge of things I didn’t want to hear. About a friend and about my health.

Yesterday we drove through Valley Forge National Historic Park. Outdoor temperatures were subfreezing. Snow was on the ground, covering a thin layer of frozen sleet. We saw one brave soul walking his beautiful dog along one of the paths that circle and cut through Valley Forge. Everyone else was in heated four-wheel vehicles driving through the Park.

I didn’t write the haiku above after that drive. But it captures some of the angst and foreboding perhaps encoded in the few remaining buildings and cabins still standing here and there throughout the Park. Remnants of a winter nightmare followed by springtime diseases that took more lives than winter took.

They thought they would be going home to their families and friends.

foot paths meander
through fields of wartime sorrow —
home to the fallen

I want to find my way home. Don’t you? Life is filled with breathtaking beauty. The kind that makes leaving it breathtakingly painful. Right now I’m being invited to play life in a different key. And my cold fingers are stumbling around a bit, learning to be at home in what doesn’t always feel like home.

© Elouise Renich Fraser, 19 January 2018
Photo of cabins at Valley Forge found at history.org

frozen branches

frozen branches
bent beneath iced snow –
blue-green brilliance

I can’t help thinking about the frozen beauty that resides in each of us. Waiting for a thaw. Hoping to make it through the harsh winter. Perhaps relieved when snow and ice transform our everyday into something magical. And grateful for the sun that eventually melts and softens us, one small drop at a time.

© Elouise Renich Fraser, 17 January 2018
Photo taken by DAFraser, December 2013