Telling the Truth

connecting the dots of my life

Tag: Poetry

Tell me if you can, if you dare–

I wrote the poem below early in my blogging days. Back in the 1940s and 50s, I was the oldest of four daughters. My father was an ordained clergyman, loved by many, feared by me. It seems life in these “United States” is becoming more and more like my childhood. Especially, but not only, for women of any age. 

I’m grateful for women and men who helped me become the human I am today. Today I don’t bear a grudge against my father. I do, however, see my experience as a window into unnumbered worlds of madness for too many women, children, teenagers, and men. The calling of politicians, church leaders, or pimps is NOT to force us into the mold of their making. 

When did it all begin?
When did I enter your supply chain?
When did I become a commodity, a disposable object
not for sale but for use on demand,
with or without pay?

When did I become your toy
to imagine as prey,
to stalk, hunt down,
toss around and torment
with or without warning?

When did I become candy for your eyes,
your imagination,
the desires of your heart?

When did it all begin?
Was it the moment I was born?
The moment you laid your eyes on me?
Then your rules, your hands, your cane,
your ruler, and wooden spoon paddle?

When did paddling become beating?
As though you could whip me into shape.

What did you see in me?
A human being created in God’s image?
Or just another rebellious, angry, willful little girl—
A challenge to your male authority.
A game, an object to be studied, touched, scolded,
played with, experimented with,
held close/held at bay, shamed, humiliated,
denied voice, dignity, will and privacy.

What were you thinking?

When did I become a projection of your stern will
and your lonely, terrified heart?
Not even a ghost of myself
No matter what I wore or didn’t wear
What I said or didn’t say
How I said it or didn’t say it
What I did or didn’t do

When did I become your enemy to be hunted down and subdued,
locked in the bar-less cage of your aching, demanding,
never-satisfied self?

Tell me if you can, if you dare—
When did it all begin?

© Elouise Renich Fraser, 26 June 2014, reposted 5 July 2022
Image found at thewei.com

birds flutter

birds flutter swoop dive
cat’s jaw quivers, tail twitches—
agony of spring

* * * * *

To Prince Oliver Smudge the Second, aka Smudge:

I hereby dedicate this haiku to Your Royal Catness
with the clear expectation that you will
immediately cease and desist
from all yowls of neglect and outrage.

You say it deeply pains you to watch me day after day
writing only about Me, Myself and I.

To be brutally frank,
I know much more about Me, Myself and I
than I do about the mystery of
Your Inner Being/Inner Cat/Inner Stalker.

HOWEVER

If you read Your Very Own Haiku with an open mind
you will discern therein
just how much I DO appreciate your agony day after day
as all those Nasty Spring Birdies flaunt their freedom in the Great Outdoors.

No.  You may NOT go outside to play today!
I’m No Dummy.

Her Royal Highness,
Queen Elouise

© Elouise Renich Fraser, 3 April 2014, reposted 8 June 2022
Photo taken by ERFraser, 2 March 2022

man walking my way

I first posted this haiku and commentary on 13 December 2013. I wish I could say women feel more secure today than we did in 2013. Sadly, the main point of this haiku was to bring my inner fears to light. I can still feel my heart pounding. It isn’t about the man. It’s about the way I was brought up female, and the mess in which we find ourselves today.

man walking my way
across deserted playground
trees inhale . . . . . . . . hold breath

Is he safe?  It’s 6:30am.  What’s he doing here at this time of day?  Looks like he’s been sleeping in the park. Rumpled work clothes—not very clean or stylish. He’s watching me. Thank goodness I’m wearing sunglasses.

I glance around, trying to seem nonchalant. No one else is in sight. He doesn’t look friendly or unfriendly. His face doesn’t register any emotion I recognize.  I’ve never seen him before.

I have my cell phone; it’s turned on. What should I do? Yes, I’m out in the open in a public space. But it’s deadly silent and I’m alone. My anxiety spikes. I know he sees me.

The distance between us is closing. If I keep walking my normal route, I’ll pass him before we pass each other.  Then I won’t see him at all–where he is or what he’s doing.

Why is he here?  Why isn’t anyone else out for an early morning walk?  The leaves on the trees are silent.  I’m holding my breath; my heart is pounding.

I walk on. Now he’s behind me.  When I turn around to walk home I see him walking out of the park.  When I get home I write the haiku above.

Even after decades of personal work I feel undone.

Is it right to call 911 when the emergency is internal, not clearly external?  How do I justify calling 911 or raising a ruckus? Is it enough that I don’t feel safe?

Moments like this remind me of the shopkeeper and other unwelcome experiences.  Some men pushed the envelope verbally or bodily, putting me on edge and on guard. Others went over the line.  Even then I didn’t raise a ruckus.

Do I really know how to take care of myself?

Is this inner turmoil common to being female?

© Elouise Renich Fraser, 16 Dec 2013, reposted 3 June 2022
Photo found at foursquare.com

News About Without a Flight Plan

Here’s the latest news on my book of poetry!

Without a Flight Plan is now available on Amazon! However, if you search for the book title, you won’t find it. We’re trying to get that corrected. If it can’t be corrected, so be it.

Monday, April 26 update. The correct title now shows on Lulu, and should soon show up on Amazon and other sellers.

Instead of using the title, search Amazon.com (under Books) for Elouise Renich Fraser. You’ll see the title is given as Telling the Truth 2020. This was the project title, not the book title. However, we’re working to get that sorted out, if possible, through Lulu. In the meantime, I would not recommend trying to purchase it from Lulu.

If, for any reason, you’re not able to purchase the book online, contact me at tellingthetruth1993@gmail.com. I’d be happy to send you the book (with covers and all photos) in a pdf file, at no cost. Though I want the book out there in print, I’m not trying to make money. I getting my current, mostly unfiltered voice out there before it’s too late. Or better, while I can still enjoy it!

Confession: I cried buckets of tears when we finally figured out why we couldn’t find the book online. I’ll probably cry a few more tears. However, the most important thing is that you’re able to read my poems and see some of David’s stunning photos yet again! Yes, the cover shot (chosen by me) is his, too.

Questions? Let me know. And thanks, as always , for visiting and reading.
Elouise

© Elouise Renich Fraser, 25 April 2021
Cover photo taken by DAFraser at Longwood Gardens

A Gift from Maya Angelou

This morning I woke up with one of Maya Angelou’s poems on my mind. She wrote it for Bill Clinton’s presidential inauguration in 1993. She could have written it for today. It’s nearly 6 minutes long, well worth every second. There’s a link below to a printed version of the entire poem.

Why this poem? Because of the last lines. They grabbed my gut when I first heard them. Her words took me back just two years earlier. We were deep into planned conversations at the seminary where I was then on the faculty. In addition to Rodney King being on our minds, we’d had our own share of distressing racially charged incidents. Feelings were running high.

We were placed into small groups and given a set of questions to guide conversation. We met several times in mixed groups, with student, staff and faculty involvement throughout.

I’ll never forget a black student’s comments to me. I’d asked for examples of times when black students felt ignored, unwelcome or uncomfortable. At that time the seminary had at least 35% black African-American students. His response stunned me.

He said that when he passed me in the hallways I never looked him in the eye or greeted him. It didn’t matter where I was going or what I was doing. It didn’t matter that I’d never had him in a class. He felt unwelcome and unacknowledged as a human being.

He wasn’t angry. He felt offended, and put on guard. Not looking him in the eye, not even saying ‘Good Morning’ or ‘How’s it  going today?’ was, for him, a signal that he didn’t count in my world. Or worse, I thought he wasn’t worth getting to know.

Such a ‘simple’ thing. It was hard for me to hear, yet right on the money. I agreed to try this out for several days. Not just with him, but with other students as well.

The first few days were tough. I discovered I was especially reluctant to greet male students of any color. A sign of fear, especially around black men, and fear of sending mixed messages or worse. At the same time, it was a lesson I’ve never forgotten.

Here’s the very last stanza of Maya Angelou’s poem, “On the Pulse of Morning.” You can see why it caught my heart.

Here on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, into
Your brother’s face, your country
And say simply
Very simply
With hope
Good morning.

© Elouise Renich Fraser, 24 August 2017
Video of live reading found on YouTube

Trembling Heart | for Diane

Trembling heart sits on edge
waiting.

Unseen by human eyes
she calculates in vain
the cost of knowing
or not knowing
looking for solace
if not release.

Piece by painful piece
mortal heaviness
strips proud bravado
as bare as truth standing defenseless
in the dock of human finitude,
calm, grieving and grateful.

***

Today I had a checkup with my electro-physiologist. I sat waiting, trembling inside, wondering what the doctor might discover in the data from Lucy, my pacemaker.

I toyed with the possibility of not keeping these appointments. After all, for generations before me there weren’t gadgets that could make visible the rhythms of our beating hearts. Maybe there are things it’s better not to know.

When I got home, I was still teary and pondering all this. I was also aware that February marks the death anniversary of Diane, my Sister #2. She lived ten years with ALS, enduring the loss of almost everything we take for granted as human beings. I’ve posted multiple pieces about and from Diane. You can read them by clicking on the category Dear Diane, at the bottom of this post.

I wrote this poem based on my experience today at the doctor’s office. However, it also applies to Diane’s situation. I’m proud to offer it in honor of her courage, good humor, honest emotions and struggles with God and with herself. Though she lost almost all voluntary capacities (such as speech and voluntary muscle movement), she never lost her mind or her great heart.

© Elouise Renich Fraser, 7 February 2017
Response to WordPress Daily Prompt:
Tremble

“Hope” is the thing with feathers —

emily-dickinson-hope-is-the-thing-with-feathers-pinterest

Emily’s poem for today is a gem. A gift for anyone who feels distressed about the state of this world or what lies ahead in 2017. My comments follow.

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet, never, in Extremity,
It asked a crumb – of Me.

c. 1861

Emily Dickinson Poems, Edited by Brenda Hillman
Shambhala Pocket Classics, Shambhala 1995

I hear Emily saying something like this.

  • I can’t manufacture Hope on my own or even with my friends. Sometimes people exhort me to have hope. I can’t. It’s already there. Like a little bird perched in my soul. Singing its heart out nonstop, without words or a sheet of music in front of it. Am I listening?
  • Hope isn’t linked to the time of day or night. Or to the weather and what the outlook is for tomorrow. It’s there regardless of circumstances, singing its ‘tune without the words.’ Sweet, strong, welcome, heartwarming and life affirming.
  • It seems nothing can shame or humiliate this little thing with feathers. It doesn’t shut up and it doesn’t go slinking off in defeat or humiliation. It sings out with sweet clarity, especially when things look most hopeless.
  • Hope keeps our spirits alive, ‘warm’ even in the ‘chillest land.’ It doesn’t offer us a plan of action or a map that will get us through hard times. Neither does it pretend times aren’t hard. Instead, it accompanies us through the hard times, lifting its voice in a way that lifts our spirits.
  • Best of all, Hope is a gift. It doesn’t ask anything of us, even when things get really rough. Not a crumb, not a dime. In fact, should we decide things are hopeless, I think Emily’s little Bird would just keep singing its heart out on our behalf. It doesn’t even demand that we listen.

One more thought. Whatever Hope is, it isn’t denial. In fact, I think Emily’s poem doesn’t work if Hope is supposed to erase or numb reality. Nor is Hope a crutch to get us from here to there with empty smiles pasted on our faces.

I believe Hope can open our eyes to see possibilities precisely where and when we least expect them. Often with people we least expected to meet or invite into our lives. Little Birds have exceptional eyes, not just exceptional songs.

My prayer today is that we’ll listen to Hope and be alert for unexpected possibilities, especially in what seem to be gale-force winds already on the rise.

© Elouise Renich Fraser, 7 January 2017
Image found at pinterest.com

I Years had been from Home

dickinsonhomestead_oct2004

~~Dickinson Homestead, Amherst, Massachusetts

In this narrative poem, Emily Dickinson seems to have a real destination in mind. Yet she focuses almost entirely on her internal fears and consternation. What’s going on? My comments follow.

I Years had been from Home
And now before the Door
I dared not enter, lest a Face
I never saw before

Stare stolid into mine
And ask my Business there –
“My Business but a Life I left
Was such remaining there?”

I leaned upon the Awe –
I lingered with Before –
The Second like an Ocean rolled
And broke against my ear –

I laughed a crumbling Laugh
That I could fear a Door
Who Consternation compassed
And never winced before.

I fitted to the Latch
My Hand, with trembling care
Lest back the awful Door should spring
And leave me in the Floor –

Then moved my Fingers off
As cautiously as Glass
And held my ears, and like a Thief
Fled gasping from the House –

c. 1872
from an 1862 version

Emily Dickinson Poems, Edited by Brenda Hillman
Shambhala Pocket Classics, Shambhala 1995

Emily doesn’t tell us precisely why she’s going Home. She’s been away for Years, and seems to have left something there–“a Life I left.” What might that mean? Perhaps she means she’s moved on and doesn’t want to become entangled in her old life. Or maybe she’s looking for something missing. I don’t know. She doesn’t get that far.

Instead, she describes the gripping, painful internal storm that erupts as she approaches the front door, prepared to ask her leading question. It’s as though she suddenly realizes the importance of this event—what it might cost her. Perhaps this wasn’t such a good idea.

Emily’s poem reminded me of an experience I had several years ago. Though the circumstances differ, the experience raised similar feelings in me.

I was in Savannah for Dad’s memorial service. That afternoon a number of family members drove out of the city to my favorite childhood home, the scene of happy and unhappy memories. The old colonial-style house looked out over a tide-water river that still beckons to me.

Hoping for a glimpse inside the house, a few of my younger relatives went up to knock on the door and ring the bell. My heart froze with a feeling I can’t even name. What would I say if someone came to the door? I felt fear, confusion and consternation.

No one came to the door. I breathed a sigh of relief, yet still felt strange until we got in our cars and drove away. Though I loved seeing the river and the outside yard, I had no desire to meet the new owners or see the inside of this house. It contained too many convoluted memories and secrets.

Emily begins by calling her destination Home. By the time we get to the end of the poem, this Home has become a House. No longer the place it was, and not a place she needs to revisit.

The ending might sound comical if it weren’t for the magnitude of her fear. Fear, it seems, that she or her life  might get high jacked in the process. And so she flees like a thief.

I’m left wondering whether something was stolen from Emily in that House she first called Home. Or perhaps she left that life behind and doesn’t want to lose the life she now has. Either way, I applaud her courage.

© Elouise Renich Fraser, 2 January 2017
Photo of Dickinson Homestead found at wickipedia.org

Happy Birthday, Emily Dickinson!

emily-dickinson-stars

Yes, it’s Emily’s 154th birthday anniversary today! I’d hoped the Google Gang would mark the day with one of their short and fancy celebration videos for all us Googlers. Too bad. They missed their chance.

I barely know Emily. Read the rest of this entry »

I like to see it lap the Miles —

emily-dickinson-book-cover

How’s your imagination? Here’s a riddle from Emily Dickinson. Can you guess the answer?   Read the rest of this entry »

%d bloggers like this: