Telling the Truth

connecting the dots of my life

Tag: Self-reflection

autumn elegy

spent oak leaves
spiral to the ground
dancing a sad song

Today was dismal and gray. Rain coming tonight, followed by a fierce cold front moving in later this week.

It took a while for this haiku to take shape. The sight of brown oak leaves spiraling down from their high branches did it. If an elegy were a dance, that’s what I saw as they spun slowly to the ground now littered with them.

I felt torn. The ache of falling leaves is inevitable. Yet it’s also beautiful and, in this case, graceful.

I want to be a graceful oak leaf, pirouetting to the ground—having spent all I have to become and live faithfully as the child of God I am. Not without defects, but content. Using the voice my Creator placed in me not to be silenced or hoarded, but to be heard.

This time of my life is filled with aching beauty everywhere—including yours and my own. Thanks for stopping by.

Elouise

© Elouise Renich Fraser, 5 December 2017
Photo by Joel Sartore found at fineartamerica.com

twilight

twilight
blankets earth
with silence

This morning I’m a bit slow, still trying to shake off weariness and a feeling of heaviness. No obvious cause or solution. Except to do what I can to keep moving today. One foot in front of the other. Or not.

Twilight can be a magical time of day—as it was yesterday evening when we were out for a late afternoon walk.

Then there was this morning’s twilight. I felt rudely awakened by light leaking through the window blinds. I wanted to pull the covers up over my head and go back to sleep. Which I did for a bit.

I’ve stopped trying to diagnose my body’s reasons. Instead, I’m going with the flow of today—slowly, without high expectations. Enjoying what I can, reading as I’m able, listening to music I love and believing today is important. Not simply for me but for you and for our Creator who loves this tired old world from the inside out.

© Elouise Renich Fraser, 4 December 2017
Photo found at pexels.com

Advent haiku and more

a day
unlike all others
wakes unannounced

During this Advent season I’m participating in an on-line retreat. An opportunity to slow down, listen with my heart, notice what’s happening in my body, and rest in the person I’ve become after all these years.

Writing haiku is an exercise in listening. Slowly. Without preconceptions. Without urgency. Without wondering when the alarm will go off to jolt me into action.

I readily admit that being retired is an advantage. Yet my internal life doesn’t always remember what it means to be retired. Much less where to focus long, patient listening that does more than take me in circles.

The on-line retreat invites me to write one haiku a day not just during Advent, but for the next six months. As a daily exercise it puts the brakes on my urge to do something. It turns my attention toward nature and our Creator, and invites me to make connections.

The haiku above suggests life is a daily gift from my Creator. A page-turner. An open, still-being-written adventure lived one day at a time. A puzzler without answers or clues at the back of the book. One of a kind.

Today I’m enjoying Sabbath rest at home—taking care of a head cold that began Thanksgiving Day. Wishing for each of you quiet time to listen with your heart and rest in the one-of-a-kind person you are.

Elouise

© Elouise Renich Fraser, 3 December 2017
Photo found at pinterest.com, Sunrise in North Dakota

A prayer from Catherine of Siena

What is it
You want to change?
Your hair, your face, your body?
Why?
For God is
in love with all those things
and He might weep
when they are
gone.
—Catherine of Siena

Found at Spirituality and Practice

Though not framed as a prayer, this small, poetic plea is, in fact, a prayer from Catherine of Siena to me. I imagine her sitting here with me, asking tough questions about what seems almost innocuous—my desire to change things about my hair, my face, my body. Especially, but not only, at this age.

I don’t want to be unhealthy. It isn’t wrong to do what I can to improve the way my body functions.

This prayer, however, isn’t about that. It’s about accepting my body as it looks today. On the outside. Loving it as the body my Creator loves. The graying hair, wrinkles on my face, avalanches on my body. Not looking as young or youthful as I once did.

When I was very young, I longed for more hair on my head, a smaller forehead, and skin that would tan and stay tanned for more than 24 hours. When I looked at other girls and young women, I didn’t feel ugly. I felt plain.

I longed to be less plain and less pale. Not a striking beauty who might call unwanted attention to herself, but a pleasant-looking female. Less plain and less pale.

The thought that my Creator might be in love with my hair, face and body on any given day never crossed my mind. I thought God cared about the spiritual me. And yes, of course my Creator also loved the physical me. But really? That much?

When I think about all the body issues women carry in secret, it pains me. I’m as guilty as anyone.

I’m also astonished and chagrined at the suggestion that God might weep if I tried to change all those seemingly external things about me.

This  very day, am I willing and able to accept, bless and love what God loves about me? That would include my face, hair, and body, on any given day. I am, after all, one of a kind. A precious pebble on the beach, distinct, and still in process. Part of our Creator’s grand collection.

Elouise

© Elouise Renich Fraser, 25 November 2017
Image found at thriftynorthwestmom.com
Rialto Beach Pebbles, Olympic National Park, Washington State

Clutching fragile identity

 

Clutching fragile identity
close to her body
She enters the room
secured by precious props
disguised in glitter –
Mundane necessities
for the ornamental woman

I’ve often wondered who invented clutch bags for women. The most alluring, annoying, disempowering fashion item I’ve ever met.

Imagine working a room with only one hand and arm. Clutching a small bag in the other hand, or trying to keep the bag nonchalantly hanging by a metal chain from your shoulder or arm. Or eating your meal while balancing a slippery clutch bag on your lap. Or going through the agony of deciding which absolutely essential items you need to take along this evening. Or the higher agony of feeling totally insecure and incomplete without something clutched in your hand, close to your body. Like a decoration, or a weapon of social warfare.

I still own a few beautiful clutch bags—small, lovely, ‘feminine’ and retro. They’re sitting in the museum of my dresser drawer. Nothing worth selling. Just reminders of past years when I flirted with being a ‘stylish’ woman, and how awkward I felt.

By the way, what ever happened to sensible, stylish pantsuits for women, with sensible pockets?

Thanks to WordPress for this prompt, and the invitation to highlight one of my favorite imponderables.

And thanks to you for stopping by! We spent Thanksgiving Day with D’s sister, her husband, one of their friends, and their sweet kitty. Great food and conversation, a brisk walk around the block a couple of times, and a chance to enjoy and strengthen bonds that matter. No clutch bags allowed. 🙂

Elouise

© Elouise Renich Fraser, 24 November 2017
Image of vintage clutch bag found at pinterest.com
Daily Prompt: Clutch

Surely goodness and mercy….

Tomorrow is Thanksgiving Day; yesterday’s post is still on my mind. I’m grateful for the poem that was in me, grateful for words to tell you about this episode in my professional life, and grateful to be who I was and still am. A tough old cookie. A highly sensitive and intuitive wise woman. A thriver. A persistent woman who won’t sit down and shut up. Or stand up and perform on command.

I didn’t get here by myself. I got here thanks to scores of women and men who saw in me more than I could see in myself. I also got here thanks to my Creator, my true Parent from the beginning, walking with me and watching my back.

Following a well-earned sabbatical leave and peaceful summer break, I was on my way to the seminary for the first day of fall term. Several students who protested against me a year earlier were likely to show up in my required course.

To say I was anxious would be an understatement. Yet here’s what happened next, as described in the semi-memoir I began writing during my sabbatical.

I stopped at a traffic light and waited for it to change. Two older men, perhaps in their seventies, were coming down the sidewalk, facing me. They were out for an early-morning walk. They moved along quickly, talking and laughing. The sun was up. It was a gorgeous day.

As they came closer, I noticed they were holding hands. This seemed rather unusual. But it was also wonderful. My mind turned to friendships among older men. I wondered how long these men had known each other and whether they walked together every day.

Suddenly, without any signal and without breaking their stride, they left the sidewalk and began walking through a large parking lot. They seemed to be of one will. As they angled away from the sidewalk, I saw it for the first time—the short leather strap they were holding between them. One of them was blind.

In a flash my eyes filled with tears. I saw myself walking blindly into this class. Seeing some things, but not everything. Knowing someone with sight beyond my sight was beside me. All I had to do was follow God’s lead, keep holding on to the strap and keep putting one foot in front of the other.

Elouise Renich Fraser, excerpt from Confessions of a Beginning Theologian, p. 132, Intervarsity Press 1998

“Surely goodness and mercy shall follow me all the days of my life….”

Happy Thanksgiving, everyone!
Elouise

© Elouise Renich Fraser, 22 November 2017
Photo of shepherd boy playing flute to sheep found at nikisawyer.com

Daily Prompt: Mercy

Perhaps on a rare day

Things fall apart
Perhaps on a rare day
They will fall together

Shadows sift through memories
Find her wandering alone
Lost in a forest of horrors
Body parts scattered around
Remains of anonymous whisperers
Still echoing through trees

There’s more than one way
To take a body apart in darkness
Her heart pounds in her chest
She wonders where this will end
All is not necessarily well that ends

Resisting the urge to run
She faces accusers now residing
Within her body of rearranged parts
That don’t remember where they belong
Or where they were going
Before tongues began wagging
Slicing their way through air
Intent on silencing her voice forever

This happened in the early 1990s. I was a tenured full professor. The course was required for all MDiv (Master of Divinity) students. It was the first course I’d taught in which women, men of color, and international students outnumbered white men.

I never saw it coming. The day after I turned in all grades for fall term, the dean asked to see me. At the meeting he gave me the news. During the semester, about half the students from this course had lodged serious concerns with him and with the president about me. More than once.

The seminary president wanted a meeting with me and with the dean to talk about these concerns. No, I could not meet with these students before or after this meeting. No, I could not have a list of names because the students feared retribution. Nor could I have a list of their concerns. Most students who signed the formal complaint were white men; some were men of color; some were women.

I agreed to the meeting only if I had time to review the list of complaints, and only if I could bring a senior colleague—an African American woman of great wisdom and experience.

My requests were resisted. Nonetheless, I persisted, and the meeting took place. It lasted one and a half hours. I felt trapped in someone else’s muck and mire.

Before the meeting, I’d studied the three pages of typed, detailed notes the dean had taken during meetings with students. According to the students, I was sadly deficient in three areas: my theology, my teaching style, and my character. Each area included excruciating detail. I did not recognize myself.

The dean and president denied my request for a meeting with at least some of the students. I was never told who they were. With the exception of a brave few, they remained nameless. Some were doubtless in my later courses.

I wasn’t disciplined. I was, however, broken in spirit, and grateful for my upcoming spring term sabbatical. I was also grateful for my female college who met with me following the meeting to talk about what had just happened and what I’d learned that would help me in the future.

My recent nightmare stirred all this up. The poem is about me. It’s sent out with prayers for all children, young people, adult women and men who endure daily dismemberment and humiliation, seen and unseen.

© Elouise Renich Fraser, 21 November 2017
Photo of Deep Forest found at mybligr.com

Daily Prompt: Sludge

In the Driver’s Seat | A Nightmare

Here’s a short version of a response to my recent nightmare, beginning with two uncomfortable facts.

  1. I’m the leader of this group.
  2. This nightmare is primarily about my voice, not a musical program.

In addition, I can’t ignore these realities:

  • Human body parts lying around the house
  • Men sitting on the sidelines, not at the table
  • The atmosphere: Sullen, Passive, Disengaged, Heavy, Disconnected, Disinterested, Bored, Dangerous

Here’s what I would do differently, as of today:

  1. After I see the first body parts, I consult with D. We’re in agreement. This is not a safe place.
  2. I ask D to contact the proper authorities immediately. He might need to call my contact person for help with this. Tell the proper authority that there are human body parts lying around this house and that we need someone to come immediately, without a siren.
  3. Introduce myself briefly to the group, and begin circulating a sign-up sheet to include everyone present: name, address and contact information – printed legibly.
  4. Read names aloud, connect them with faces, and welcome them to this meeting. (There are less than 20 people in the room.)
  5. Invite men sitting on the sidelines to join us at the table, or leave now.
  6. Tell the remaining group what I’ve seen in other areas of this house, and that D has contacted authorities. We won’t work on a musical production at this meeting. Someone will be in touch with you about whether another rehearsal will be held, and where.
  7. If and when we reconvene, we’ll create our own musical program, drawing on input from everyone. I urge you to think and write about what you’re thinking and feeling right now. What music, poem, or other creative writing might respond to and honor the bodies and lives affected by this tragedy?
  8. If you’d like to stay until authorities arrive (assuming they haven’t arrived), you’re free to stay here with D and me. If you need to leave, feel free to do so.
  9. For those who remain, we’ll be thinking and talking about how we’re feeling right now.

I’m not sure about letting the men and even group members leave—perhaps before the authorities arrive. But I have no grounds for keeping them, and have collected their names and contact information.

Perhaps this seems morbid for Sabbath reading. Nonetheless, it puts things into perspective for me. This is about giving up my need to survive, or to change situations. It’s also about speaking truth in a clear voice. A spiritual skill each of us needs in today’s world, whether we identify ourselves as followers of Jesus Christ or not. Even a nightmare can lead to productive reflection and dialogue.

Thanks for reading and commenting if you’d like.

© Elouise Renich Fraser, 18 November 2017
Daily Prompt: Atmospheric

Working on My Nightmare

This morning I poured creative energy into rewriting a nightmare I had over a week ago. In the dream I was in charge, and found myself suddenly in a situation of growing danger. Yet I couldn’t speak directly and clearly to the danger. Not just danger to me, but to others.

This inability to speak clearly and directly in situations of danger is the most difficult damage I carried into my adult life. I don’t like the physical, spiritual and health fallout from being abused in body and spirit, but I can handle it.

Yet when it comes to my voice, whether written or spoken, I sometimes flinch when dealing with difficult issues. Or I speak out, followed too often by loss of confidence and the urge to sit down and shut up. Or stop being so emotional.

We live in a shrinking world tormented by personal, familial, national and global horror. It stares us in the face every day. Almost like a nightmarish taunt that won’t go away.

So I had this nightmare that began badly, became even worse, and finally woke me with my heart pounding, afraid for my life. It was all about threatening men, or so it seemed.

Since then, I’ve thought about a nightmare I had back in the 1990s, after I’d begun working with my psychotherapist. In it I’m running for my life from two or three men carrying loaded rifles, determined to silence me. I’m carrying a large umbrella. Hardly a match for loaded rifles.

I run into a room with an exit door at the top of concrete steps. The men are close behind me. There’s no way I can fight them off or stop them physically. I race up the stairs to exit the room and discover to my horror that the door is locked.

Of course I wake up with my heart pounding, afraid for my life.

Back then (as now), my psychotherapist encouraged me to rewrite the nightmare. Creatively, using only the material I have in the nightmare. Which includes my voice.

I’ll never forget how excited I was when I figured out what to do. I was at the top of the steps. Suddenly I turned around and pressed the button on my large umbrella. It flew open immediately, and I danced and, as I recall, sang my way back down the stairs and into the small room. The more I danced, the happier I was. I even invited my pursuers to dance with me!

The men were so flabbergasted they didn’t know what to do next, and I was suddenly in charge of my voice and the situation.

That’s the kind of ending I want for this nightmare. And I think I’ve got it! Which is for another post.

©Elouise Renich Fraser, 15 November 2017
Image found at bgartshop.com

Our National Nightmare

Burning with contempt
We peer into the mirror
of our discontent
strutting proudly
through our dens
down hallways
of our disbelieving minds

Deliriously happy
to be Great Again
Or
Deliriously happy
we are Not Like That

There, but for the grace of God, go I?
Really, my heart?

This moment is full of danger and opportunity. The opportunity to work on our national homework—long overdue.

Perhaps it’s too late for some. It’s never too late for our surviving children and the surviving children of this world.

Is this a nightmare from which we’ll one day wake? Or is it the nightmare that will take all of us down—together yet divided.

Every time national events cause deep revulsion or fear in me, I know it’s time to take stock. What is this national nightmare trying to say to me right now?

It doesn’t matter which issue we’re dealing with. White supremacy, human trafficking, pornography, sexual abuse and predators, political gridlock, opioid epidemic, mass killings, racial profiling, homegrown terrorism, corporate greed, broken promises, or a hundred other issues. Plus a steady dose of twitter-like hyper-inattention.

It’s all part of our National Nightmare, not new, yet starkly in focus and fed by Mr. Trump’s persona and ubiquitous presence in our media.

No one can deal with everything. So I’ve chosen a few things to explore between now and Christmas. Things with which I’ve had close encounters of the uncomfortable sort, each of which boils down to one very large issue: Abuse of Power.

Thanks for reading, and thanks for caring and doing what you can to level the imbalance of power around you. Right in your own backyard.

© Elouise Renich Fraser, 10 November 2017
Daily Prompt: Strut